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Rheinberger reported around 150 performances of his Christoforus in Germany and abroad around 1900 - a success story that unfortunately came to an end in the 20th century. With the present edition, ba...
Rheinberger reported around 150 performances of his Christoforus in Germany and abroad around 1900 - a success story that unfortunately came to an end in the 20th century. With the present edition, ba...
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Joseph Martin Kraus
Miserere
Joseph Martin Kraus, who was born in the same year as Mozart and, like the famous Salzburg composer, was highly gifted musically and died far too young, has been receiving more attention again in rece...
Joseph Martin Kraus, who was born in the same year as Mozart and, like the famous Salzburg composer, was highly gifted musically and died far too young, has been receiving more attention again in rece...
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Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C for the solemn exequies of the deceased Elector Frederic August II in November 1763 in the Catholic Co...
Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C for the solemn exequies of the deceased Elector Frederic August II in November 1763 in the Catholic Co...
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Johann Adolf Hasse
Requiem in B flat major
Johann Adolf Hasse's Requiem in B flat was probably composed in the second half of the 1750s and is presented here for the first time in a printed version. Nothing is known about the purpose of this b...
Johann Adolf Hasse's Requiem in B flat was probably composed in the second half of the 1750s and is presented here for the first time in a printed version. Nothing is known about the purpose of this b...
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Wolfgang Amadeus Mozart
Missa longa in C major KV 262
In contrast to Mozart's much shorter masses of the same period, Leopold Mozart described K. 262 as a "Missa longa". Indeed, the length of the individual movements and the final fugues of the Gloria an...
In contrast to Mozart's much shorter masses of the same period, Leopold Mozart described K. 262 as a "Missa longa". Indeed, the length of the individual movements and the final fugues of the Gloria an...
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The two Kyrie settings in E flat K. 322 (1778/79) and in C K. 323 (probably not before 1790) are among the works by Mozart that only exist as incomplete draft scores. In both cases, however, Mozart's...
The two Kyrie settings in E flat K. 322 (1778/79) and in C K. 323 (probably not before 1790) are among the works by Mozart that only exist as incomplete draft scores. In both cases, however, Mozart's...
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Wolfgang Amadeus Mozart
Mass in C minor (Levin version) KV 427
Supplemented and edited by Robert D. Levin
The Mass in C minor K. 427, Mozart's "Great Mass", is a torso - a circumstance that is extremely regrettable, especially in view of the monumentality of this work. Following his sensational reconstruc...
The Mass in C minor K. 427, Mozart's "Great Mass", is a torso - a circumstance that is extremely regrettable, especially in view of the monumentality of this work. Following his sensational reconstruc...
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Joseph Haydn
Salve Regina in g Hob. XXIIIb:2
In Eisenstadt in 1770/71, Haydn composed his four-movement Salve Regina, which is characterized by the concertante use of the organ. Haydn proves to be a master in the musical realization of the Maria...
In Eisenstadt in 1770/71, Haydn composed his four-movement Salve Regina, which is characterized by the concertante use of the organ. Haydn proves to be a master in the musical realization of the Maria...
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Joseph Haydn set the Ambrosian Canticle to music twice in the course of his life. The "Te Deum" for Empress Marie Therese was composed around 1800 and thus falls into his late creative phase. The larg...
Joseph Haydn set the Ambrosian Canticle to music twice in the course of his life. The "Te Deum" for Empress Marie Therese was composed around 1800 and thus falls into his late creative phase. The larg...
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Among Haydn's more than thirty settings of the Latin Ordinary text, his Missa in honorem Sanctae Ursulae, completed on August 5, 1793 according to the autograph, occupies a prominent position. It can...
Among Haydn's more than thirty settings of the Latin Ordinary text, his Missa in honorem Sanctae Ursulae, completed on August 5, 1793 according to the autograph, occupies a prominent position. It can...
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Georg Friedrich Händel
Judas Maccabäus
First critical edition. The oratorio "Judas Maccabaeus" is one of George Frideric Handel's most popular vocal works. It was performed over fifty times during his lifetime and was one of the first of h...
First critical edition. The oratorio "Judas Maccabaeus" is one of George Frideric Handel's most popular vocal works. It was performed over fifty times during his lifetime and was one of the first of h...
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Handel's vesper psalm Nisi Dominus (Psalm 127), which is presented here in a new critical edition, was composed in Rome in 1707 for the feast of the Madonna del Monte Carmel. It is very much in the tr...
Handel's vesper psalm Nisi Dominus (Psalm 127), which is presented here in a new critical edition, was composed in Rome in 1707 for the feast of the Madonna del Monte Carmel. It is very much in the tr...
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Contains Part I of the oratorio Israel in Egypt is also one of Handel's most popular oratorios due to the predominant proportion of choruses and has had a firm place in the concert repertoire of many...
Contains Part I of the oratorio Israel in Egypt is also one of Handel's most popular oratorios due to the predominant proportion of choruses and has had a firm place in the concert repertoire of many...
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Franz Schubert
Stabat Mater in G minor D 175
Schubert probably composed the Latin "Stabat Mater" D175 without a direct commission between the 4th and 6th of April 1815. According to Pope Benedict XIII's instructions of 1727, it is intended as a...
Schubert probably composed the Latin "Stabat Mater" D175 without a direct commission between the 4th and 6th of April 1815. According to Pope Benedict XIII's instructions of 1727, it is intended as a...
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Franz Schubert
Magnificat in C D 486
With a performance duration of around 10 minutes, Schubert's Magnificat D 486 in C major is one of the more concentrated settings of the well-known Marian canticum text, which originally belonged to t...
With a performance duration of around 10 minutes, Schubert's Magnificat D 486 in C major is one of the more concentrated settings of the well-known Marian canticum text, which originally belonged to t...
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Set for SATB choir and with additional wind parts by Joseph von Eybler, addition of trombones by Ignaz Xaver Ritter von Seyfried, revised by Otto Nicolai (1843) Pergolesi's last major composition, the...
Set for SATB choir and with additional wind parts by Joseph von Eybler, addition of trombones by Ignaz Xaver Ritter von Seyfried, revised by Otto Nicolai (1843) Pergolesi's last major composition, the...
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Anton Bruckner
Magnificat WAB 24
What does the early Bruckner sound like? The Magnificat in B flat major sheds an unexpected light on the young composer on the threshold of his great church works. The approximately 5-minute work in t...
What does the early Bruckner sound like? The Magnificat in B flat major sheds an unexpected light on the young composer on the threshold of his great church works. The approximately 5-minute work in t...
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The best-known requiem mass before Mozart's unfinished Requiem was written by the opera composer Niccolò Jommelli, who was celebrated in his day. The Missa pro defunctis was composed in 1756 during hi...
The best-known requiem mass before Mozart's unfinished Requiem was written by the opera composer Niccolò Jommelli, who was celebrated in his day. The Missa pro defunctis was composed in 1756 during hi...
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Marianna von Martines
Seconda Messa
A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...
A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...
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The cantata Widerstehe doch der Sünde BWV 54 is one of Johann Sebastian Bach's most popular solo cantatas today. The short text, comprising just three movements, comes from a collection of cantata tex...
The cantata Widerstehe doch der Sünde BWV 54 is one of Johann Sebastian Bach's most popular solo cantatas today. The short text, comprising just three movements, comes from a collection of cantata tex...
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