The best-known requiem mass before Mozart's unfinished Requiem was written by the opera composer Niccolò Jommelli, who was celebrated in his day. The Missa pro defunctis was composed in 1756 during hi...
The best-known requiem mass before Mozart's unfinished Requiem was written by the opera composer Niccolò Jommelli, who was celebrated in his day. The Missa pro defunctis was composed in 1756 during hi...
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Experience a magnificent masterpiece of the early Italian Baroque: Claudio Monteverdi's "Dixit Dominus Primo" SV 263 from the celebrated collection Selva morale et spirituale captivates with its power...
Experience a magnificent masterpiece of the early Italian Baroque: Claudio Monteverdi's "Dixit Dominus Primo" SV 263 from the celebrated collection Selva morale et spirituale captivates with its power...
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The impressive collection Selva morale et spirituale, first published in 1641, is a milestone in Monteverdi's oeuvre and reflects his almost 30 years of activity as a church musician in Venice. As in...
The impressive collection Selva morale et spirituale, first published in 1641, is a milestone in Monteverdi's oeuvre and reflects his almost 30 years of activity as a church musician in Venice. As in...
- Mixed Choir (SSATB), 2 Violins and Continuo
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- Soloists (SSTTB), Mixed Choir (SSTTB), 2 Violins and Continuo
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- Soloists (SSTTB), 2 Violins and Continuo
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- Soloists (SSAATTBB), Mixed Choir (SSAATTBB), 2 Violins and Continuo
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- Soloists (STB), Mixed Choir (STB), 2 Violins and Continuo
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- 2 Mixed Choirs (SATB), 2 Violins and Continuo
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A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...
A mass composition by a young Viennese composer: in 1760, at the age of 16, Marianna von Martines (1744-1812) composed her "Seconda Messa". Just one year later, another mass from her pen was performed...
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Date of composition of the wedding cantata on which this work is based (BWV 34a) 1726, the parody in the first half of the 1740s
Date of composition of the wedding cantata on which this work is based (BWV 34a) 1726, the parody in the first half of the 1740s
- Soloists (ATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
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The alto cantata 'Geist und Seele wird verwirret' has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arr...
The alto cantata 'Geist und Seele wird verwirret' has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arr...
- Low Voice, 2 Oboes, English Horn, 2 Violins, Viola, Continuo and Organ
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Experienced organists in particular will enjoy this Bach cantata: A concerto by Bach, which has been lost in its original form and which he arranged for organ, is concealed in the opening movements of...
Experienced organists in particular will enjoy this Bach cantata: A concerto by Bach, which has been lost in its original form and which he arranged for organ, is concealed in the opening movements of...
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Bach's well-known church cantata "Schwingt freudig euch empor" BWV 36, which was first heard in its final version on 1 Advent 1731 in Leipzig's Nikolaikirche, goes back to a secular birthday cantata f...
Bach's well-known church cantata "Schwingt freudig euch empor" BWV 36, which was first heard in its final version on 1 Advent 1731 in Leipzig's Nikolaikirche, goes back to a secular birthday cantata f...
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It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...
It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...
- High Voice, Mixed Choir (SATB), 3 Oboes, Bassoon, 2 Horns, 2 Violins, Viola and Continuo
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The soprano cantata "Falsche Welt, dir trau ich nicht" by Johann Sebastian Bach is intended for the 23rd Sunday after Trinity, which fell on November 24, 1726 in the year of its first performance. It...
The soprano cantata "Falsche Welt, dir trau ich nicht" by Johann Sebastian Bach is intended for the 23rd Sunday after Trinity, which fell on November 24, 1726 in the year of its first performance. It...
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The first version of the Reformation cantata "Eine feste Burg ist unser Gott" BWV 80b, published for the first time in a practical edition by Carus-Verlag, remained unknown to Bach scholars until well...
The first version of the Reformation cantata "Eine feste Burg ist unser Gott" BWV 80b, published for the first time in a practical edition by Carus-Verlag, remained unknown to Bach scholars until well...
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- Jutta Wicker
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Immerse yourself in one of Johann Sebastian Bach’s most comforting and profound masterworks: The chorale cantata "Wer nur den lieben Gott läßt walten" BWV 93, composed for the 5th Sunday after Trinity...
Immerse yourself in one of Johann Sebastian Bach’s most comforting and profound masterworks: The chorale cantata "Wer nur den lieben Gott läßt walten" BWV 93, composed for the 5th Sunday after Trinity...
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This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...
This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...
- Soloists (SATB), Mixed Choir (SATB), Oboe d'Amore, Zink, 3 Trombones, 2 Violins, Viola and Continuo
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The text of the choral cantata, first performed on December 26, 1724, is based on Luther's translation of the early Christian hymn A solis ortus cardinem. The six-movement work contains two arias for...
The text of the choral cantata, first performed on December 26, 1724, is based on Luther's translation of the early Christian hymn A solis ortus cardinem. The six-movement work contains two arias for...
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The six-movement cantata is based on the song of the same name by Ahasverus Fritsch, which was first recorded in the Darmstadt songbook in 1698. It is therefore one of the choral cantatas that use a h...
The six-movement cantata is based on the song of the same name by Ahasverus Fritsch, which was first recorded in the Darmstadt songbook in 1698. It is therefore one of the choral cantatas that use a h...
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It seems reasonable to link the creation of the work to a penitential service held in St. Mary's Church in Mühlhausen to commemorate the devastating fire that ravaged large parts of the town on May 29...
It seems reasonable to link the creation of the work to a penitential service held in St. Mary's Church in Mühlhausen to commemorate the devastating fire that ravaged large parts of the town on May 29...
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The cantata "Erforsche mich Gott und erfahre mein Herz" BWV 136 was composed during Bach's first year in office as Thomaskantor in Leipzig and was premiered on the 8th Sunday after Trinity, July 18, 1...
The cantata "Erforsche mich Gott und erfahre mein Herz" BWV 136 was composed during Bach's first year in office as Thomaskantor in Leipzig and was premiered on the 8th Sunday after Trinity, July 18, 1...
- Soloists (ATB), Mixed Choir (SATB), Horn, Oboe, Oboe d'Amore, 2 Violins, Viola and Basso continuo
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Thanks to its popular choral text, Bach's choral cantata "Lobe den Herren, den mächtigen König der Ehren" BWV 137 has long been one of the St. Thomas cantor's most frequently performed works. Unlike t...
Thanks to its popular choral text, Bach's choral cantata "Lobe den Herren, den mächtigen König der Ehren" BWV 137 has long been one of the St. Thomas cantor's most frequently performed works. Unlike t...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
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Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...
Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...
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Although "Warum betrübst du dich, mein Herz" BWV 138 is based on the hymn of the same name, it is not one of Bach's chorale cantatas. In this unusual composition from Bach's first year, further choral...
Although "Warum betrübst du dich, mein Herz" BWV 138 is based on the hymn of the same name, it is not one of Bach's chorale cantatas. In this unusual composition from Bach's first year, further choral...
- Soloists (SATB), Mixed Choir (SATB), 2 Oboes d'Amore, 2 Violins, Viola and Continuo
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