Intermediate Sheet Music for Symphonic Orchestra
Sopran solo, Alt solo, Tenor solo, Bass solo, gemCh (SATB), Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Serpent, Horn (2), Trommel (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtex...
Sopran solo, Alt solo, Tenor solo, Bass solo, gemCh (SATB), Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Serpent, Horn (2), Trommel (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtex...
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With timpani and trumpets à la Marseillaise, a French piece of music conquered the public consciousness again in 1953 ("Eurovision anthem") and a composer was rediscovered: Marc-Antoine Charpentier's...
With timpani and trumpets à la Marseillaise, a French piece of music conquered the public consciousness again in 1953 ("Eurovision anthem") and a composer was rediscovered: Marc-Antoine Charpentier's...
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In seinem Passionsoratorium Christus am Ölberge gelang es Beethoven einerseits, an eine Tradition des 18. Jahrhunderts anzuknüpfen, andererseits aber auch die aufblühende Gattung des deutschsprachigen...
In seinem Passionsoratorium Christus am Ölberge gelang es Beethoven einerseits, an eine Tradition des 18. Jahrhunderts anzuknüpfen, andererseits aber auch die aufblühende Gattung des deutschsprachigen...
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The Missa Sancti Josephi occupies a key position among Jan Dismas Zelenka's 20 or so large masses. In this mass, which was probably composed in 1732 for a saint's feast (therefore without a Credo), th...
The Missa Sancti Josephi occupies a key position among Jan Dismas Zelenka's 20 or so large masses. In this mass, which was probably composed in 1732 for a saint's feast (therefore without a Credo), th...
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Anton Bruckner composed his first mass, the Mass in D minor, in 1864 in just four months. It was not ready in time for the Kaiser Franz Joseph I's birthday, as planned, but was first performed on 20 N...
Anton Bruckner composed his first mass, the Mass in D minor, in 1864 in just four months. It was not ready in time for the Kaiser Franz Joseph I's birthday, as planned, but was first performed on 20 N...
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Anton Bruckner composed the first of his three orchestral masses, the Mass in D minor, in just four months in 1864. Nevertheless, it was not completed for Emperor Franz Joseph I's birthday as planned,...
Anton Bruckner composed the first of his three orchestral masses, the Mass in D minor, in just four months in 1864. Nevertheless, it was not completed for Emperor Franz Joseph I's birthday as planned,...
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In 1892, Dvorák received the honorable commission from New York to write a festive cantata for the 400th anniversary of the discovery of America by Christopher Columbus. In response, Dvorák composed a...
In 1892, Dvorák received the honorable commission from New York to write a festive cantata for the 400th anniversary of the discovery of America by Christopher Columbus. In response, Dvorák composed a...
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During his most productive period as an opera composer, Camille Saint-Saëns also wrote sacred works, of which the "Oratorio de Noël" (Christmas Oratorio) is particularly popular worldwide. The colorfu...
During his most productive period as an opera composer, Camille Saint-Saëns also wrote sacred works, of which the "Oratorio de Noël" (Christmas Oratorio) is particularly popular worldwide. The colorfu...
- 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
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The British composer Grayston (Bill) Ives (*1948) has dedicated himself to choral music in many different ways. He was a tenor with the legendary King's Singers and later worked for 18 years as an org...
The British composer Grayston (Bill) Ives (*1948) has dedicated himself to choral music in many different ways. He was a tenor with the legendary King's Singers and later worked for 18 years as an org...
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The British composer Grayston (Bill) Ives (*1948) has dedicated himself to choral music in many different ways. He was a tenor with the legendary King's Singers and later worked for 18 years as an org...
The British composer Grayston (Bill) Ives (*1948) has dedicated himself to choral music in many different ways. He was a tenor with the legendary King's Singers and later worked for 18 years as an org...
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Anyone who is familiar with Bruckner's symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly e...
Anyone who is familiar with Bruckner's symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly e...
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Die vorliegende Ausgabe ermöglicht die Aufführung der Kantate in den verschiedenen von Bach praktizierten Besetzungsformen. Bei den Besetzungsangaben zu den Solopartien für hohe Stimme ist jeweils zue...
Die vorliegende Ausgabe ermöglicht die Aufführung der Kantate in den verschiedenen von Bach praktizierten Besetzungsformen. Bei den Besetzungsangaben zu den Solopartien für hohe Stimme ist jeweils zue...
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The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
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Mendelssohn describes to his friend Klingemann the 1840 work as "a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the wor...
Mendelssohn describes to his friend Klingemann the 1840 work as "a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the wor...
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Mendelssohn composed his first oratorio "Paulus" under the influence of the revival of J. S. Bach's "St. Matthew Passion" (1829), which he himself conducted. He integrated choral movements into "Paulu...
Mendelssohn composed his first oratorio "Paulus" under the influence of the revival of J. S. Bach's "St. Matthew Passion" (1829), which he himself conducted. He integrated choral movements into "Paulu...
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Franz Schubert's "Mass in A flat": a work that occupied the composer time and again, with which - in his words - he strove for the "highest in art" - and perhaps only wanted to achieve a position at t...
Franz Schubert's "Mass in A flat": a work that occupied the composer time and again, with which - in his words - he strove for the "highest in art" - and perhaps only wanted to achieve a position at t...
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Antonio Lotti was employed at St. Mark’s Basilica in Venice for almost his entire life. In 1717, however, he was lured for two years to Dresden by the Saxon court as a composer of operas. A score of h...
Antonio Lotti was employed at St. Mark’s Basilica in Venice for almost his entire life. In 1717, however, he was lured for two years to Dresden by the Saxon court as a composer of operas. A score of h...
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A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...
A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...
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A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...
A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...
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Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, Org) Sprache: lateinisch Die erste der beiden Messvertonungen Beethovens ist in ihrer subjektiv-bekenntnisha...
Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Basso (Vc, Cb, Org) Sprache: lateinisch Die erste der beiden Messvertonungen Beethovens ist in ihrer subjektiv-bekenntnisha...
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The first of Beethoven's two Mass settings is decidedly modern and forward-looking in its subjective, confessional tonal language. It opens up completely new worlds of expression for the liturgical te...
The first of Beethoven's two Mass settings is decidedly modern and forward-looking in its subjective, confessional tonal language. It opens up completely new worlds of expression for the liturgical te...
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For this work carus music the choir app, is available. In addition to the vocal score and a recording, the app offers a coach which helps to learn the choral parts. Please find more information at www...
For this work carus music the choir app, is available. In addition to the vocal score and a recording, the app offers a coach which helps to learn the choral parts. Please find more information at www...
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Das 'Requiem in c' von Johann Michael Haydn hatte großen Einfluss auf W. A. Mozarts Requiem-Vertonung. In nur zwei Wochen komponierte J. M. Haydn sein Werk im Dezember 1771 anlässlich des Todes seines...
Das 'Requiem in c' von Johann Michael Haydn hatte großen Einfluss auf W. A. Mozarts Requiem-Vertonung. In nur zwei Wochen komponierte J. M. Haydn sein Werk im Dezember 1771 anlässlich des Todes seines...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
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The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And r...
The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And r...
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Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C for the ceremonial exequies of the deceased Elector Frederic August II in November 1763 in the Catholi...
Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C for the ceremonial exequies of the deceased Elector Frederic August II in November 1763 in the Catholi...
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