Johann Sebastian Bach: Advanced Sheet Music

The arias for one voice, one obbligato instrument and basso continuo from Johann Sebastian Bach's cantatas are among the highest art forms of Baroque music thanks to their magnificent melodies, their...

The arias for one voice, one obbligato instrument and basso continuo from Johann Sebastian Bach's cantatas are among the highest art forms of Baroque music thanks to their magnificent melodies, their...

The arias for one voice, one obbligato instrument and basso continuo from Johann Sebastian Bach's cantatas are among the highest art forms of Baroque music thanks to their magnificent melodies, their...

The arias for one voice, one obbligato instrument and basso continuo from Johann Sebastian Bach's cantatas are among the highest art forms of Baroque music thanks to their magnificent melodies, their...

The arias for one voice, one obbligato instrument and basso continuo from Johann Sebastian Bach's cantatas are among the highest art forms of Baroque music thanks to their magnificent melodies, their...

J.S. Bach performed the cantata for the Fourth Advent and the Feast of the Visitation. Since he had no staff available in 1716, the brass instrumentation (1 trumpet) was very sparse. I left out the th...

Calmus Ensemble - A-Cappella-Edition Bd. 1. 20 S./ DIN A 4. 4-6st.

Calmus Ensemble - A-Cappella-Edition Bd. 4. 24 S./ DIN A 4. 5st.

Bach newly interpreted - a songbook for mixed vocal ensemble or small choral ensemble containing unusual arrangements of instrumental works by Johann Sebastian Bach. The arrangements range between cla...

The Hal Leonard Classical Play-Along series will help you play great classical pieces. Using the Amazing Slow-Downer technology included on the CD (adapted for PC and Mac computers), you can adjust th...

The "Miserere" is based on the Prelude and Fugue in B-flat minor from the 1st part of the “Well-Tempered Clavier” by Johann Sebastian Bach. In his choral version, Heribert Breuer transposes the origin...

The "Miserere" is based on the Prelude and Fugue in B-flat minor from the 1st part of the “Well-Tempered Clavier” by Johann Sebastian Bach. In his choral version, Heribert Breuer transposes the origin...

Bach composed the cantata "Ach Gott, wie manches Herzeleid" for the 2nd Sunday after Epiphany in 1725; it is part of the choral cantata cycle. In the large-scale choral movement, a sorrowful choral mo...

The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...

Bach composed the choral cantata Wo soll ich fliehen hin BWV 5 for the 19th Sunday after Trinity in 1724. The cantata belongs to Bach's 2nd Leipzig year, the choral cantata year. The opening movement...