Experience a fascinating masterpiece of sacred choral music: The solemn Tantum ergo K. 142 (Anh. 186d) unites Baroque splendor with Classical brilliance. Originally composed by Friedrich Zachow, Wolfg...
Experience a fascinating masterpiece of sacred choral music: The solemn Tantum ergo K. 142 (Anh. 186d) unites Baroque splendor with Classical brilliance. Originally composed by Friedrich Zachow, Wolfg...
- High Voice, Mixed Choir (SATB) and Piano
- Piano Reduction (Urtext)
- Andreas Köhs
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- High Voice, Mixed Choir (SATB) and Piano
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- Andreas Köhs
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The first page of the autograph of the Mass K. 49 (47d) bears the crossed-out (autograph?) note in Vienna below the author's name. Two other, unidentified hands, still belonging to the 18th century, h...
The first page of the autograph of the Mass K. 49 (47d) bears the crossed-out (autograph?) note in Vienna below the author's name. Two other, unidentified hands, still belonging to the 18th century, h...
- 4 Soloists, Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Martin Focke
- Bärenreiter Verlag
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Piano reduction based on the Urtext of the New Mozart Edition. Soprano solo, alto solo, tenor solo, bass solo, mixed choir-SATB, trumpet (2), trombone (3), strings, organ - piano reduction
Piano reduction based on the Urtext of the New Mozart Edition. Soprano solo, alto solo, tenor solo, bass solo, mixed choir-SATB, trumpet (2), trombone (3), strings, organ - piano reduction
- 4 Soloists, Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Martin Focke
- Bärenreiter Verlag
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Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Horn (2), Clarin-Trompete (2), Pauke, Streicher, Orgel...
Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Horn (2), Clarin-Trompete (2), Pauke, Streicher, Orgel...
- 4 Soloists, Mixed Choir (SATB) and Piano
- Piano Reduction (Urtext)
- Martin Focke
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Mozart created the festive musical setting for the first solemn mass celebrated by his childhood friend P. Dominicus Hagenauer on October 15, 1769 in the collegiate church of St. Peter in Salzburg; th...
Mozart created the festive musical setting for the first solemn mass celebrated by his childhood friend P. Dominicus Hagenauer on October 15, 1769 in the collegiate church of St. Peter in Salzburg; th...
- 4 Soloists, Mixed Choir (SATB) and Piano
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- Martin Focke
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Mozart's "Missa in C" K. 258 cannot be clearly dated, but was probably composed around 1775/76. The mass is composed in brevis form and was therefore also labeled as such on the cover of the anthology...
Mozart's "Missa in C" K. 258 cannot be clearly dated, but was probably composed around 1775/76. The mass is composed in brevis form and was therefore also labeled as such on the cover of the anthology...
- 4 Soloists, Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Martin Focke
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Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Trompete (2), Pauke, Streicher, Orgel - Klavierauszug
Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Trompete (2), Pauke, Streicher, Orgel - Klavierauszug
- High Voice, Mixed Choir (SATB) and Piano
- Piano Reduction (Urtext)
- Andreas Köhs
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The offertory in Festo Sti Benedicti "Scande coeli limina" K. 34, consisting of aria and chorus, is the oldest surviving smaller church music work by Mozart. According to Max Keller, the three-part ar...
The offertory in Festo Sti Benedicti "Scande coeli limina" K. 34, consisting of aria and chorus, is the oldest surviving smaller church music work by Mozart. According to Max Keller, the three-part ar...
- High Voice, Mixed Choir (SATB) and Piano
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- Andreas Köhs
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According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...
According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...
- High Voice, Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Wolfgang Amadeus Mozart's radiant Marian antiphon "Regina coeli" K. 108 (74d) sparkles with youthful vitality, festive elegance, and sacred splendor. This impressive work combines virtuosic, lyrical p...
Wolfgang Amadeus Mozart's radiant Marian antiphon "Regina coeli" K. 108 (74d) sparkles with youthful vitality, festive elegance, and sacred splendor. This impressive work combines virtuosic, lyrical p...
- High Voice, Mixed Choir (SATB) and Piano
- Piano Reduction (Urtext)
- Andreas Köhs
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Experience the radiant splendor of Wolfgang Amadeus Mozart's sacred masterpiece: With the festive Marian antiphon "Regina coeli" K. 108 (74d), the young composer crafted a work of exhilarating vitalit...
Experience the radiant splendor of Wolfgang Amadeus Mozart's sacred masterpiece: With the festive Marian antiphon "Regina coeli" K. 108 (74d), the young composer crafted a work of exhilarating vitalit...
- High Voice, Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Andreas Köhs
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Immerse yourself in the radiant splendor of Wolfgang Amadeus Mozart's sacred music: The festive Marian antiphon "Regina coeli" K. 127 captivates with brilliant coloraturas, profound expressiveness, an...
Immerse yourself in the radiant splendor of Wolfgang Amadeus Mozart's sacred music: The festive Marian antiphon "Regina coeli" K. 127 captivates with brilliant coloraturas, profound expressiveness, an...
- High Voice, Mixed Choir (SATB) and Piano
- Piano Reduction (Urtext)
- Andreas Köhs
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Immerse yourself in the festive soundscape of Wolfgang Amadeus Mozart with the masterful "Vesperae solennes de Confessore" K. 339. This magnificent sacred work captivates with radiant choral movements...
Immerse yourself in the festive soundscape of Wolfgang Amadeus Mozart with the masterful "Vesperae solennes de Confessore" K. 339. This magnificent sacred work captivates with radiant choral movements...
- 4 Soloists, Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Martin Focke
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Immerse yourself in the moving soundscapes of "Virgo virginum," published by the renowned Boosey & Hawkes. This expressive work seamlessly blends the rich, warm timbre of a low solo voice with the mul...
Immerse yourself in the moving soundscapes of "Virgo virginum," published by the renowned Boosey & Hawkes. This expressive work seamlessly blends the rich, warm timbre of a low solo voice with the mul...
- Low Voice, Mixed Choir (SATB) and Piano
- Piano Score Download
- Boosey & Hawkes
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immediately available | Download immediately after ordering
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- Low Voice, Mixed Choir (SATB) and Piano
- Piano Score Download
- Boosey & Hawkes
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immediately available | Download immediately after ordering
- Instant download
Józef Swider, a native of Poland, has written more than 250 compositions for choirs, which enjoy great popularity. Today he is considered the most frequently performed Polish composer. His richly orch...
Józef Swider, a native of Poland, has written more than 250 compositions for choirs, which enjoy great popularity. Today he is considered the most frequently performed Polish composer. His richly orch...
- High Voice, Mixed Choir (SATB) and Piano
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- Carus-Verlag
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Following the great success of his "Magnificat", the internationally sought-after pop and jazz choir composer Christoph Schönherr has presented another work for Carus with his MISSA in tempore incerto...
Following the great success of his "Magnificat", the internationally sought-after pop and jazz choir composer Christoph Schönherr has presented another work for Carus with his MISSA in tempore incerto...
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- Carus-Verlag
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Puccini's first known work of church music was composed during his school days at the "Istituto Pacini" in Lucca and was premiered there in 1877; he chose a Latin hymn to the patron saint of Lucca as...
Puccini's first known work of church music was composed during his school days at the "Istituto Pacini" in Lucca and was premiered there in 1877; he chose a Latin hymn to the patron saint of Lucca as...
- Medium Voice, Mixed Choir (SATB) and Piano
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Wolfgang Amadeus Mozart's "Regina coeli" is the first of his three settings of the Marian antiphon for Vespers at Easter.
Wolfgang Amadeus Mozart's "Regina coeli" is the first of his three settings of the Marian antiphon for Vespers at Easter.
- High Voice, Mixed Choir (SATB) and Piano
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- Carus-Verlag
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The autograph was initially lost after the Second World War, but was found again in 1964 and forms the basis for this new critical edition by Christine Martin. Compared to other sources, articulation...
The autograph was initially lost after the Second World War, but was found again in 1964 and forms the basis for this new critical edition by Christine Martin. Compared to other sources, articulation...
- High Voice, Mixed Choir (SATB) and Piano
- Piano Reduction Download
- Paul Horn
- Carus-Verlag
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The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...
The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...
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- Carus-Verlag
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Psalm 112 was composed by the 22-year-old George Frideric Handel during his stay in Italy. The thematic material of the composition comes in part from one of Handel's early works in Halle, which uses...
Psalm 112 was composed by the 22-year-old George Frideric Handel during his stay in Italy. The thematic material of the composition comes in part from one of Handel's early works in Halle, which uses...
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- Carus-Verlag
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contains: Solo aria "O coelitum beati" (G major); choral movement "Alleluia" (C major)
contains: Solo aria "O coelitum beati" (G major); choral movement "Alleluia" (C major)
- High Voice, Mixed Choir (SATB) and Piano
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- Carus-Verlag
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In contrast to the earlier smaller sacred works, whose style is partly borrowed from the Baroque and Classical periods, Schubert has forged his personal, Romantic-influenced sacred style in this opus....
In contrast to the earlier smaller sacred works, whose style is partly borrowed from the Baroque and Classical periods, Schubert has forged his personal, Romantic-influenced sacred style in this opus....
- High Voice, Mixed Choir (SATB) and Piano
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