Klassische Klavierstücke

48 Preludes and Fugues for the Piano selected by Alexander Shaley, Book 1 and 2 Complete.

10 mittelschwere Stücke mit Erläuterungen

'The Etudes op. 52 and op. 111 are little masterpieces of invention. On every page you encounter ingenious inventions for piano technique and sound.' (Isidore Philipp) What Isidore Philipp described...

The new piano reduction of Mozart's Coronation Concerto K. 537 is based on the musical text of the New Mozart Edition and completes the performance material which has been available for many years (BA...

(Italian/English version): Rossini's Barber of Seville is certainly the composer's best-known work and one of the most frequently performed operas of all time. This piano reduction follows the highly...

In his late piano sonatas Hob. XVI:40-42 (1784) and Hob. XVI:48-52 (1788-1795), Haydn shows himself to be a highly distinguished composer, accomplished in form and expression. As the quintessence of h...

Satie's "Ogives" and "Gymnopédies" are milestones of musical modernism. The metrically free "Ogives" (pointed arches) reflect the influence of French neo-Gothic and neo-Gregorianism in architecture an...

> Urtext editions based on all the sources and latest research findings > Easy to moderately difficult pieces > Ideal for teaching purposes > Optimum page-turns > Translations of all of Satie's French...

With his parodistic piano pieces about all kinds of sea creatures - with the grotesque title "Dried-up Embryos" - composed in the summer of 1913, Satie once again poked fun at himself and the musical...

- Moderate level of difficulty - Includes a glossary (Fr/Ger/Eng) - Notes on performance practice (Ger/Eng) - Detailed Foreword (Ger/Eng) and Critical Commentary (Eng) Satie's progressive incidental m...

With his advanced incidental music from 1891/92, Satie explicitly turned against the French "Wagnérisme", but not in the sense of a parody. Composed on commission from the Rosicrucian and convinced Wa...

Debussy does not link his "12 Préludes" of the first volume by a tonal scheme, but by a chain of associative mottos or titles which he leaves at the end of each piece and which may give an indication...

Three years after the publication of the first volume, the second volume of Debussy's Préludes appeared in 1913, reflecting the impression of Stravinsky's music. In his new Urtext edition, musicologis...