Klassische Klavierstücke
Brahms arranged the popular 16 "Waltzes" op. 39, composed in 1866 for piano four hands, for two hands just one year later and produced an easier version at the publisher's request. Brahms himself desc...
Brahms arranged the popular 16 "Waltzes" op. 39, composed in 1866 for piano four hands, for two hands just one year later and produced an easier version at the publisher's request. Brahms himself desc...
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Brahms arranged the popular 16 "Waltzes" op. 39, composed in 1866 for piano four hands, for two hands just one year later and produced an easier version at the publisher's request. Brahms himself desc...
Brahms arranged the popular 16 "Waltzes" op. 39, composed in 1866 for piano four hands, for two hands just one year later and produced an easier version at the publisher's request. Brahms himself desc...
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- Johannes Brahms
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In his research, Christopher Hogwood drew on a source that George Bozarth drew attention to in spring 2011 and which had remained unpublished until then. During a concert tour that the young Brahms un...
In his research, Christopher Hogwood drew on a source that George Bozarth drew attention to in spring 2011 and which had remained unpublished until then. During a concert tour that the young Brahms un...
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The pianist Christian Köhn, who is very familiar with Brahms' piano works, has now published a new edition of these variations on the eight-bar theme from Handel's Suite No. 1 ("Suite de pièces de Cla...
The pianist Christian Köhn, who is very familiar with Brahms' piano works, has now published a new edition of these variations on the eight-bar theme from Handel's Suite No. 1 ("Suite de pièces de Cla...
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Hardly any piano cycle exerts such a magical attraction as Chopin's 24 "Préludes" published in 1839. Schumann described them as "sketches, the beginnings of etudes, [...] ruins, individual eagle's fea...
Hardly any piano cycle exerts such a magical attraction as Chopin's 24 "Préludes" published in 1839. Schumann described them as "sketches, the beginnings of etudes, [...] ruins, individual eagle's fea...
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Brahms' spirited Rhapsodies op. 79 from 1879 are among the composer's most frequently performed works. For a long time, he could not quite decide on a suitable title and wavered between Piano Piece, C...
Brahms' spirited Rhapsodies op. 79 from 1879 are among the composer's most frequently performed works. For a long time, he could not quite decide on a suitable title and wavered between Piano Piece, C...
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Schubert’s tuneful and buoyant Sonata in G major was published in April 1827 as a 'Fantasy or Sonata”, to quote the heading of its first movement. His first reviewer noted that 'the beloved and talent...
Schubert’s tuneful and buoyant Sonata in G major was published in April 1827 as a 'Fantasy or Sonata”, to quote the heading of its first movement. His first reviewer noted that 'the beloved and talent...
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Schubert’s tuneful and buoyant Sonata in G major was published in April 1827 as a 'Fantasy or Sonata”, to quote the heading of its first movement. His first reviewer noted that 'the beloved and talent...
Schubert’s tuneful and buoyant Sonata in G major was published in April 1827 as a 'Fantasy or Sonata”, to quote the heading of its first movement. His first reviewer noted that 'the beloved and talent...
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Urtext edition reflecting the latest scholarship and taking previously unknown sources into accountIncludes all fragmentary works, some published for the first timeDetailed foreword Ger/Eng) and criti...
Urtext edition reflecting the latest scholarship and taking previously unknown sources into accountIncludes all fragmentary works, some published for the first timeDetailed foreword Ger/Eng) and criti...
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The piano sonatas are considered the true core of Aleksandr Scriabin's oeuvre. No other composer after Beethoven has reshaped this genre so profoundly and thus revitalized its tradition. The desire no...
The piano sonatas are considered the true core of Aleksandr Scriabin's oeuvre. No other composer after Beethoven has reshaped this genre so profoundly and thus revitalized its tradition. The desire no...
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Urtext edition based on the latest source researchWith facsimiles which also give information about the rediscovered sourcesDetailed foreword (Ger/Eng) and critical commentary (Eng)Piano works were at...
Urtext edition based on the latest source researchWith facsimiles which also give information about the rediscovered sourcesDetailed foreword (Ger/Eng) and critical commentary (Eng)Piano works were at...
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Urtext edition based on the latest source researchWith facsimiles which also give information about the rediscovered sourcesDetailed foreword (Ger/Eng) and critical commentary (Eng)Piano works were at...
Urtext edition based on the latest source researchWith facsimiles which also give information about the rediscovered sourcesDetailed foreword (Ger/Eng) and critical commentary (Eng)Piano works were at...
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Scriabin's artistic development is reflected in the piano sonatas more than in almost any other genre. The Sonatas Nos. 6, 7 and 8 collected in this edition were composed by Scriabin between 1911 and...
Scriabin's artistic development is reflected in the piano sonatas more than in almost any other genre. The Sonatas Nos. 6, 7 and 8 collected in this edition were composed by Scriabin between 1911 and...
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Scholarly-critical Urtext edition including the latest research findingsAll autograph sources consulted, including sketches and draftsFor students, pianists and teachersDetailed foreword (Ger/Eng) and...
Scholarly-critical Urtext edition including the latest research findingsAll autograph sources consulted, including sketches and draftsFor students, pianists and teachersDetailed foreword (Ger/Eng) and...
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The trigger for the piano cycle "Pictures at an Exhibition", composed in 1874, was the memorial exhibition organized in the same year for the painter and architect Viktor Hartmann, who died in 1873 an...
The trigger for the piano cycle "Pictures at an Exhibition", composed in 1874, was the memorial exhibition organized in the same year for the painter and architect Viktor Hartmann, who died in 1873 an...
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The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. In terms of composition, the turn to the small form is particularly remar...
The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. In terms of composition, the turn to the small form is particularly remar...
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The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. Compositionally, the turn to the "small form" is particularly noteworthy...
The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. Compositionally, the turn to the "small form" is particularly noteworthy...
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- Gerhard Wind
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With fingerings.
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The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. In terms of composition, the turn to the "small form" is particularly rem...
The piano pieces op. 116 to 119 were composed in 1892/93 and are the last collections that Brahms dedicated to the instrument. In terms of composition, the turn to the "small form" is particularly rem...
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This work, which Ravel originally composed for piano solo in 1899 and which was published by Demets, quickly achieved great success and has since been considered one of the most popular works in the c...
This work, which Ravel originally composed for piano solo in 1899 and which was published by Demets, quickly achieved great success and has since been considered one of the most popular works in the c...
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Nach Schuberts bereits im großzügigen Neustich vorliegenden 'Moments Musicaux' (BA9647) und 'Impromptus' (BA9648) erscheinen nun auch seine späten Klavierstücke in einer modernen Ansprüchen genügenden...
Nach Schuberts bereits im großzügigen Neustich vorliegenden 'Moments Musicaux' (BA9647) und 'Impromptus' (BA9648) erscheinen nun auch seine späten Klavierstücke in einer modernen Ansprüchen genügenden...
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Aus der Fülle der Mozart-Fragmente ragt das Requiem hervor, aber auch in vielen anderen Gattungen finden sich bei Mozart Bruchstücke, die immerhin soweit ausgeführt sind, dass sie als Basis für eine E...
Aus der Fülle der Mozart-Fragmente ragt das Requiem hervor, aber auch in vielen anderen Gattungen finden sich bei Mozart Bruchstücke, die immerhin soweit ausgeführt sind, dass sie als Basis für eine E...
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The Requiem stands out from the abundance of Mozart fragments, but there are also fragments in many other genres in Mozart's music which are at least sufficiently developed to serve as a basis for a s...
The Requiem stands out from the abundance of Mozart fragments, but there are also fragments in many other genres in Mozart's music which are at least sufficiently developed to serve as a basis for a s...
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Schumann's Forest Scenes op. 82 date from 1848/49, the composer's most creative period, which was also characterized by revolutionary unrest and political uncertainty. In addition to choral compositio...
Schumann's Forest Scenes op. 82 date from 1848/49, the composer's most creative period, which was also characterized by revolutionary unrest and political uncertainty. In addition to choral compositio...
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