Advanced Classical Music (Classical Era) Sheet Music
'Die Entführung aus dem Serail' ( 'The Abduction from the Seraglio') is a 'singspiel' in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedri...
'Die Entführung aus dem Serail' ( 'The Abduction from the Seraglio') is a 'singspiel' in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedri...
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- Yorick De Bruycker
- Baton Music
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'Die Entführung aus dem Serail' ( 'The Abduction from the Seraglio') is a 'singspiel' in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedri...
'Die Entführung aus dem Serail' ( 'The Abduction from the Seraglio') is a 'singspiel' in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedri...
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- Yorick De Bruycker
- Baton Music
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'Die Entführung aus dem Serail' ( 'The Abduction from the Seraglio') is a 'singspiel' in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedri...
'Die Entführung aus dem Serail' ( 'The Abduction from the Seraglio') is a 'singspiel' in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedri...
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- Yorick De Bruycker
- Baton Music
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Die Zauberflöte isn"t a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
Die Zauberflöte isn"t a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
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- Marco Tamanini
- Baton Music
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
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- Marco Tamanini
- Baton Music
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Beethoven's only opera 'Fidelio' embodies his ideals of heroism and freedom from political oppression. The opera was first produced in Vienna in 1805, under the title of 'Leonora' with the overture no...
Beethoven's only opera 'Fidelio' embodies his ideals of heroism and freedom from political oppression. The opera was first produced in Vienna in 1805, under the title of 'Leonora' with the overture no...
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- Simon Scheiwiller
- Baton Music
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Beethoven's only opera 'Fidelio' embodies his ideals of heroism and freedom from political oppression. The opera was first produced in Vienna in 1805, under the title of 'Leonora' with the overture no...
Beethoven's only opera 'Fidelio' embodies his ideals of heroism and freedom from political oppression. The opera was first produced in Vienna in 1805, under the title of 'Leonora' with the overture no...
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- Simon Scheiwiller
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- Voice and Guitar
- Sheet Music
- Adam Cicchillitti
- Les Productions d'Oz
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Since the two verifiable autographs of the Offertorium Misericordias Domini have been lost, Robert Münster has for the first time used the copies he has found from the Munich court music for this new...
Since the two verifiable autographs of the Offertorium Misericordias Domini have been lost, Robert Münster has for the first time used the copies he has found from the Munich court music for this new...
- Mixed Choir (SATB) and Piano
- Piano Reduction Download
- Eberhard Kraus
- Carus-Verlag
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Mozart composed The Coronation Mass (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the "Ordinary of the Mass". This setting, like the majority of Mozart's ma...
Mozart composed The Coronation Mass (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the "Ordinary of the Mass". This setting, like the majority of Mozart's ma...
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- Davide Donazzolo
- Baton Music
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Mozart composed The Coronation Mass (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the "Ordinary of the Mass". This setting, like the majority of Mozart's ma...
Mozart composed The Coronation Mass (Krönungsmesse KV 317) in 1779. It's one of the most popular of his 17 extant settings of the "Ordinary of the Mass". This setting, like the majority of Mozart's ma...
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- Davide Donazzolo
- Baton Music
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Pietro Metastasio's libretto for La Passione di nostro Signore Gesù Cristo from 1730 is a prototype of the Italian-language Catholic oratorio in the 18th century. The text of the Bible is completely t...
Pietro Metastasio's libretto for La Passione di nostro Signore Gesù Cristo from 1730 is a prototype of the Italian-language Catholic oratorio in the 18th century. The text of the Bible is completely t...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score Download
- Carus-Verlag
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The Missa in c KV 427 by Wolfgang Amadeus Mozart is a fascinating work. To speak of "the" mass alone is inaccurate, as it is basically nothing more than a musical torso, full of riddles and problems -...
The Missa in c KV 427 by Wolfgang Amadeus Mozart is a fascinating work. To speak of "the" mass alone is inaccurate, as it is basically nothing more than a musical torso, full of riddles and problems -...
- Soloists (SSTB), 2 Mixed Choirs (SATB) and Orchestra
- Piano Reduction Download
- Frieder Bernius Uwe Wolf
- Carus-Verlag
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Franz Joseph Haydn's famous melody from the second movement of the Emperor Quartet (String Quartet, Op. 76) was the basis for the national anthem of Austria for more than a century, and is frequently...
Franz Joseph Haydn's famous melody from the second movement of the Emperor Quartet (String Quartet, Op. 76) was the basis for the national anthem of Austria for more than a century, and is frequently...
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- James Curnow
- Hal Leonard
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Franz Joseph Haydn's famous melody from the second movement of the Emperor Quartet (String Quartet, Op. 76) was the basis for the national anthem of Austria for more than a century, and is frequently...
Franz Joseph Haydn's famous melody from the second movement of the Emperor Quartet (String Quartet, Op. 76) was the basis for the national anthem of Austria for more than a century, and is frequently...
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- James Curnow
- Hal Leonard
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Franz Joseph Haydn's famous melody from the second movement of the Emperor Quartet (String Quartet, Op. 76) was the basis for the national anthem of Austria for more than a century, and is frequently...
Franz Joseph Haydn's famous melody from the second movement of the Emperor Quartet (String Quartet, Op. 76) was the basis for the national anthem of Austria for more than a century, and is frequently...
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- James Curnow
- Hal Leonard
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After the 'Battle of Vitoria', Beethoven's friend Johann Nepomuk Maelzel talked him into writing a composition for his panharmonicon (a kind of 'mechanical orchestra') to commemorating this battle. Th...
After the 'Battle of Vitoria', Beethoven's friend Johann Nepomuk Maelzel talked him into writing a composition for his panharmonicon (a kind of 'mechanical orchestra') to commemorating this battle. Th...
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- Andreas van Zoelen
- Baton Music
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After the 'Battle of Vitoria', Beethoven's friend Johann Nepomuk Maelzel talked him into writing a composition for his panharmonicon (a kind of 'mechanical orchestra') to commemorating this battle. Th...
After the 'Battle of Vitoria', Beethoven's friend Johann Nepomuk Maelzel talked him into writing a composition for his panharmonicon (a kind of 'mechanical orchestra') to commemorating this battle. Th...
- Concert Band
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- Andreas van Zoelen
- Baton Music
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The 'Requiem', KV. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756-1791). Mozart composed part of this requiem in Vienna in late 1791. In many places, Mozart's 'Requiem' was still unfinished,...
The 'Requiem', KV. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756-1791). Mozart composed part of this requiem in Vienna in late 1791. In many places, Mozart's 'Requiem' was still unfinished,...
- Concert Band, Soloists (SATB) and Choir
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- Andreas van Zoelen
- Baton Music
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ships within 1-2 weeks
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The 'Requiem', KV. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756-1791). Mozart composed part of this requiem in Vienna in late 1791. In many places, Mozart's 'Requiem' was still unfinished,...
The 'Requiem', KV. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756-1791). Mozart composed part of this requiem in Vienna in late 1791. In many places, Mozart's 'Requiem' was still unfinished,...
- Concert Band, Soloists (SATB) and Choir
- Score and Parts Download
- Andreas van Zoelen
- Baton Music
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immediately available
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The 'Requiem', KV. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756-1791). Mozart composed part of this requiem in Vienna in late 1791. In many places, Mozart's 'Requiem' was still unfinished,...
The 'Requiem', KV. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756-1791). Mozart composed part of this requiem in Vienna in late 1791. In many places, Mozart's 'Requiem' was still unfinished,...
- Concert Band, Soloists (SATB) and Choir
- Score
- Andreas van Zoelen
- Baton Music
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ships within 1-2 weeks
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The 'Requiem', KV. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756-1791). Mozart composed part of this requiem in Vienna in late 1791. In many places, Mozart's 'Requiem' was still unfinished,...
The 'Requiem', KV. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756-1791). Mozart composed part of this requiem in Vienna in late 1791. In many places, Mozart's 'Requiem' was still unfinished,...
- Concert Band, Soloists (SATB) and Choir
- Score Download
- Andreas van Zoelen
- Baton Music
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- Concert Band (Solo/Feature: Men's Choir)
- Sheet Music
- Armin Suppan
- Hebu Musikverlag
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- Concert Band
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- Albert O. Davis
- Ludwig Music Publishing Company
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Leopold Kozeluh (1747-1818) came from Welwarn in Bohemia and received his first lessons from his cousin Antonín. Although he studied law in Prague, he then turned to music and went to Vienna in 1778 a...
Leopold Kozeluh (1747-1818) came from Welwarn in Bohemia and received his first lessons from his cousin Antonín. Although he studied law in Prague, he then turned to music and went to Vienna in 1778 a...
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- Pavel Staněk
- Musikverlag Rundel
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