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World premiere on May 11, 1985 in Cork/Ireland, Choral Festival: Via Nova Choir, Munich, conducted by Kurt Suttner
World premiere on May 11, 1985 in Cork/Ireland, Choral Festival: Via Nova Choir, Munich, conducted by Kurt Suttner
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Chorpartitur (deutsch/englisch). Gemischter Chor-SATB - Chorpartitur
Chorpartitur (deutsch/englisch). Gemischter Chor-SATB - Chorpartitur
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The Swedish royal family commissioned this work for the feast of the Annunciation of the Virgin Mary. The text was written by the Swedish poet Einar Askestad (premiere on March 17, 2013). The music de...
The Swedish royal family commissioned this work for the feast of the Annunciation of the Virgin Mary. The text was written by the Swedish poet Einar Askestad (premiere on March 17, 2013). The music de...
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The Choirmaster's Burial is an onomatopoeic retelling of Thomas Hardy's classic poem about an old tenor who mourns the death of his choirmaster. Women and men are divided into two choirs. While the me...
The Choirmaster's Burial is an onomatopoeic retelling of Thomas Hardy's classic poem about an old tenor who mourns the death of his choirmaster. Women and men are divided into two choirs. While the me...
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The setting of the well-known psalm Sing unto the Lord a new song (Psalm 96, 1-3) uses strong dynamics and an alternation of flowing, block-like chords with faster polyphonic passages to interpret the...
The setting of the well-known psalm Sing unto the Lord a new song (Psalm 96, 1-3) uses strong dynamics and an alternation of flowing, block-like chords with faster polyphonic passages to interpret the...
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Organ, mixed choir - score; Urtext edition
Organ, mixed choir - score; Urtext edition
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Arranged for Soloists, Choir and Organ - Arranged for Soloists, Choir and Organ. Organ, Mixed choir - Score
Arranged for Soloists, Choir and Organ - Arranged for Soloists, Choir and Organ. Organ, Mixed choir - Score
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- Michael Gerisch
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Arrangement for soli, choir and organ. Organ, mixed choir - score
Arrangement for soli, choir and organ. Organ, mixed choir - score
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- Andreas Köhs
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Mozart's Missa in C K. 317, composed in 1779 and known as the "Coronation Mass", is one of the most popular settings of the mass text due to its festive character and rich variety of musical ideas. Th...
Mozart's Missa in C K. 317, composed in 1779 and known as the "Coronation Mass", is one of the most popular settings of the mass text due to its festive character and rich variety of musical ideas. Th...
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- Martin Focke
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The name "Credo Mass" is derived from the "Credo" calls that repeatedly interrupt the corresponding movement. Composed at the end of 1776, the mass impresses with its wealth of invention condensed int...
The name "Credo Mass" is derived from the "Credo" calls that repeatedly interrupt the corresponding movement. Composed at the end of 1776, the mass impresses with its wealth of invention condensed int...
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- Martin Focke
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On the occasion of the inauguration of a new orphanage on Vienna's Rennweg, the just twelve-year-old Mozart appeared before the audience as composer and conductor with his "Missa solemnis " in c K. 13...
On the occasion of the inauguration of a new orphanage on Vienna's Rennweg, the just twelve-year-old Mozart appeared before the audience as composer and conductor with his "Missa solemnis " in c K. 13...
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- Martin Focke
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The Spatzenmesse is one of the most important church music works from Mozart's Salzburg period. With a performance time of around 17 minutes, it met the requirements of the archbishop of the time for...
The Spatzenmesse is one of the most important church music works from Mozart's Salzburg period. With a performance time of around 17 minutes, it met the requirements of the archbishop of the time for...
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- Martin Focke
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Bruckner's Te Deum is certainly one of the most important great choral works of its time. Its enduring popularity is reflected in numerous performances. The new version for soloists, choir and organ n...
Bruckner's Te Deum is certainly one of the most important great choral works of its time. Its enduring popularity is reflected in numerous performances. The new version for soloists, choir and organ n...
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- Andreas Köhs
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Arranged for SATB choir and organ Many congregations cannot celebrate Christmas without 'Jauchzet, frohlocket, auf, preiset die Tage', but often the instrumental possibilities and financial means for...
Arranged for SATB choir and organ Many congregations cannot celebrate Christmas without 'Jauchzet, frohlocket, auf, preiset die Tage', but often the instrumental possibilities and financial means for...
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- Holger Gehring
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This choral score BA 7590-91 completes the performance material for the now well-established Urtext edition of Verdi's monumental Mass for the Dead.
This choral score BA 7590-91 completes the performance material for the now well-established Urtext edition of Verdi's monumental Mass for the Dead.
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Soprano solo 1, Soprano solo 2, Alto solo 1, Alto solo 2, Tenor solo 1, Tenor solo 2, Bass solo 1, Bass solo 2, Piano - Piano reduction; Urtext edition Choral works with orchestral accompaniment and s...
Soprano solo 1, Soprano solo 2, Alto solo 1, Alto solo 2, Tenor solo 1, Tenor solo 2, Bass solo 1, Bass solo 2, Piano - Piano reduction; Urtext edition Choral works with orchestral accompaniment and s...
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- Martin Focke
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Soprano solo, alto solo, tenor solo, bass solo, gemCh, 2 flute, 2 oboe, 2 trumpet, timp, organ, strings
Soprano solo, alto solo, tenor solo, bass solo, gemCh, 2 flute, 2 oboe, 2 trumpet, timp, organ, strings
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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- Andreas Köhs
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Franz Schuberts beliebte 'Deutsche Messe' aus dem Jahre 1827 knüpft in ihrer Idee einer deutschsprachigen Ordinariumsvertonung an das 'Deutsche Hochamt' von Michael Haydn an. Aufgrund seiner homophone...
Franz Schuberts beliebte 'Deutsche Messe' aus dem Jahre 1827 knüpft in ihrer Idee einer deutschsprachigen Ordinariumsvertonung an das 'Deutsche Hochamt' von Michael Haydn an. Aufgrund seiner homophone...
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Gemischter Chor (SATB), Streicher, Basso continuo
Gemischter Chor (SATB), Streicher, Basso continuo
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- Andreas Köhs
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Charpentier wrote "In nativitatem Domini canticum" during his time as Kapellmeister at the church of Saint Louis in Paris (around 1690). The work is in the tradition of Carissimi's oratorios and those...
Charpentier wrote "In nativitatem Domini canticum" during his time as Kapellmeister at the church of Saint Louis in Paris (around 1690). The work is in the tradition of Carissimi's oratorios and those...
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- Joel Schwindt
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The 'Gloria' RV 589 (BA 7674) is one of Vivaldi's best-known compositions today and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the 'Gloria' as an in...
The 'Gloria' RV 589 (BA 7674) is one of Vivaldi's best-known compositions today and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the 'Gloria' as an in...
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- Malcolm Bruno
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Telemann wrote the cantata "Gelobet seist du, Jesu Christ" TWV 1:612 for the cantata year 1710/1711. Despite the instrumentation without brass and timpani, the festive, glamorous mood of the second da...
Telemann wrote the cantata "Gelobet seist du, Jesu Christ" TWV 1:612 for the cantata year 1710/1711. Despite the instrumentation without brass and timpani, the festive, glamorous mood of the second da...
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- Andreas Köhs
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De sancto Pelagio et sancto Theodolo is a transcription of a work for choir and large orchestra. It was commissioned by the Knabenkantorei Basel. The texts come from the Cantionale chants of the last...
De sancto Pelagio et sancto Theodolo is a transcription of a work for choir and large orchestra. It was commissioned by the Knabenkantorei Basel. The texts come from the Cantionale chants of the last...
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Claudio Monteverdi's "Vespro della Beata Vergine" is certainly one of the most popular sacred works of the 17th century. In addition to numerous recordings, it is performed again and again in whole or...
Claudio Monteverdi's "Vespro della Beata Vergine" is certainly one of the most popular sacred works of the 17th century. In addition to numerous recordings, it is performed again and again in whole or...
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- Andreas Köhs
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