Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
- Soloists (SS), 2 Mixed Choirs (SATB), 4 Violins, 2 Violas and 2 Basso continuo
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The Tantum ergo in A major, WAB 43, is one of Bruckner’s student pieces, preceding the later Tantum ergo settings, WAB 41/1–4. The parallel sixths and the ending evoke memories of late Viennese Classi...
The Tantum ergo in A major, WAB 43, is one of Bruckner’s student pieces, preceding the later Tantum ergo settings, WAB 41/1–4. The parallel sixths and the ending evoke memories of late Viennese Classi...
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- Organ Score (Urtext)
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The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...
The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...
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- Mixed Choir (SATB) and Organ
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Mendelssohn's unfinished 3rd oratorio in the first critical edition. Performance material is available separately for Part 1 and Part 2 of the oratorio. Part 1: "The Nativity", Part 2: "The Passion of...
Mendelssohn's unfinished 3rd oratorio in the first critical edition. Performance material is available separately for Part 1 and Part 2 of the oratorio. Part 1: "The Nativity", Part 2: "The Passion of...
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The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...
The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...
- Low Voice, Mixed Choir (SATB) and Organ
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Psalm 112 was composed by the 22-year-old George Frideric Handel during his stay in Italy. The thematic material of the composition comes in part from one of Handel's early works in Halle, which uses...
Psalm 112 was composed by the 22-year-old George Frideric Handel during his stay in Italy. The thematic material of the composition comes in part from one of Handel's early works in Halle, which uses...
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The Gloria is the 13-year-old Mendelssohn's first major church composition. It was written at the beginning of 1822 as part of his composition lessons with Carl Friedrich Zelter, the director of the B...
The Gloria is the 13-year-old Mendelssohn's first major church composition. It was written at the beginning of 1822 as part of his composition lessons with Carl Friedrich Zelter, the director of the B...
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Mozart's "Missa in C major" K. 317, unfoundedly called the "Coronation Mass", is one of the most popular and most frequently performed works of its genre. The autograph of the mass, which is revealing...
Mozart's "Missa in C major" K. 317, unfoundedly called the "Coronation Mass", is one of the most popular and most frequently performed works of its genre. The autograph of the mass, which is revealing...
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A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...
A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...
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Antonin Rejcha's "Te Deum" from 1825, which remained unpublished at the time and is presented here as a first edition, is undoubtedly one of the great, albeit little-known, Te Deum settings of the tra...
Antonin Rejcha's "Te Deum" from 1825, which remained unpublished at the time and is presented here as a first edition, is undoubtedly one of the great, albeit little-known, Te Deum settings of the tra...
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Pietro Metastasio's libretto for La Passione di nostro Signore Gesù Cristo from 1730 is a prototype of the Italian-language Catholic oratorio of the 18th century. The text of the Bible is completely t...
Pietro Metastasio's libretto for La Passione di nostro Signore Gesù Cristo from 1730 is a prototype of the Italian-language Catholic oratorio of the 18th century. The text of the Bible is completely t...
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In preparation for his final examinations at the Conservatory in Munich in the summer of 1854, the 15-year-old Rheinberger turned his focus on composing in the old a cappella style in various scorings...
In preparation for his final examinations at the Conservatory in Munich in the summer of 1854, the 15-year-old Rheinberger turned his focus on composing in the old a cappella style in various scorings...
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In preparation for his final examinations at the Conservatory in Munich in the summer of 1854, the 15-year-old Rheinberger turned his focus on composing in the old a cappella style in various scorings...
In preparation for his final examinations at the Conservatory in Munich in the summer of 1854, the 15-year-old Rheinberger turned his focus on composing in the old a cappella style in various scorings...
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Joseph Martin Kraus, who was born in the same year as Mozart and, like the famous Salzburg composer, was highly gifted musically and died far too young, has been receiving more attention again in rece...
Joseph Martin Kraus, who was born in the same year as Mozart and, like the famous Salzburg composer, was highly gifted musically and died far too young, has been receiving more attention again in rece...
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Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C for the ceremonial exequies of the deceased Elector Frederic August II in November 1763 in the Catholi...
Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C for the ceremonial exequies of the deceased Elector Frederic August II in November 1763 in the Catholi...
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Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C for the solemn exequies of the deceased Elector Frederic August II in November 1763 in the Catholic Co...
Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C for the solemn exequies of the deceased Elector Frederic August II in November 1763 in the Catholic Co...
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Hasse's much smaller-scale Requiem in B flat, which we are publishing for the first time, was presumably composed as early as the second half of the 1750s. Nothing is known about the occasion for whic...
Hasse's much smaller-scale Requiem in B flat, which we are publishing for the first time, was presumably composed as early as the second half of the 1750s. Nothing is known about the occasion for whic...
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Joseph Haydn set the Ambrosian Canticle to music twice in the course of his life. The "Te Deum" for Empress Marie Therese was composed around 1800 and thus falls into his late creative phase. The larg...
Joseph Haydn set the Ambrosian Canticle to music twice in the course of his life. The "Te Deum" for Empress Marie Therese was composed around 1800 and thus falls into his late creative phase. The larg...
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The 30 or so mass settings by Johann Michael Haydn are masterpieces of their genre and were extremely popular during his lifetime. In his sacred music, the composer achieved a synthesis of counterpoin...
The 30 or so mass settings by Johann Michael Haydn are masterpieces of their genre and were extremely popular during his lifetime. In his sacred music, the composer achieved a synthesis of counterpoin...
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The "Requiem in B flat" is Johann Michael Haydn's second setting of the liturgical text of the requiem mass and also his last work, his "Opus ultimum" (another Requiem MH 599 turned out to be the work...
The "Requiem in B flat" is Johann Michael Haydn's second setting of the liturgical text of the requiem mass and also his last work, his "Opus ultimum" (another Requiem MH 599 turned out to be the work...
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First critical edition. The oratorio "Judas Maccabaeus" is one of George Frideric Handel's most popular vocal works. It was performed over fifty times during his lifetime and was one of the first of h...
First critical edition. The oratorio "Judas Maccabaeus" is one of George Frideric Handel's most popular vocal works. It was performed over fifty times during his lifetime and was one of the first of h...
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Cantique de Jean Racine, opus 144 für Tenor, gemischten Chor, Harfe und Orgel Zwei Lieder zur Erstkommunion für mittlere Stimme und Orgel O mystère d'amour, opus 146 Troupe innocente, opus 142 Prière...
Cantique de Jean Racine, opus 144 für Tenor, gemischten Chor, Harfe und Orgel Zwei Lieder zur Erstkommunion für mittlere Stimme und Orgel O mystère d'amour, opus 146 Troupe innocente, opus 142 Prière...
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Seven Anthems' includes seven of Edward Elgar's most popular works. Six are arranged for SATB and Organ accompaniment while one more is arranged for SA and Organ accompaniment.
Seven Anthems' includes seven of Edward Elgar's most popular works. Six are arranged for SATB and Organ accompaniment while one more is arranged for SA and Organ accompaniment.
- Mixed Choir (SATB) and Organ
- Organ Score
- Novello Publishing
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Soprano, Tenor, Bass, Choir and Concert Band 'Die Schöpfung' (The Creation) is an oratorio written between 1796 and 1798 by Joseph Haydn and considered by many to be his masterpiece. The oratorio depi...
Soprano, Tenor, Bass, Choir and Concert Band 'Die Schöpfung' (The Creation) is an oratorio written between 1796 and 1798 by Joseph Haydn and considered by many to be his masterpiece. The oratorio depi...
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- Henk van de Weijer
- Baton Music
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