Jean-Philippe Rameau Sheet Music for Orchestra

'Les Paladins' was Rameau's last work premiered at the Académie royale de musique in 1760. Sharply criticized on account of its overtly comical libretto, the work was withdrawn after fifteen performan...

The Acte de ballet "Zéphire" was never performed during the lifetime of its authors, although the autograph manuscript shows traces that Rameau worked on it several times between 1748 and 1759 – possi...

This collection of the instrumental numbers from Zoroastre, a "Tragédie in five acts" includes the movements and dances of all the original versions, i.e. those of January and February 1756 (found in...

This collection of instrumental numbers from the "Tragédie in fünf Akten" Zoroastre brings together the movements and dances from all the original versions, i.e. those from January and February 1756 (...

This edition brings together all the purely instrumental movements of Rameau's comédie-ballet "Les Paladins" for performances as a suite in the concert hall. In view of the wealth of its musical treas...

This edition brings together all the purely instrumental and danced movements of one of Rameau's most popular operas as well as those of the last and incomplete one-act opéra-ballet "Io", during the c...

Rameau's Hippolyte et Aricie presents great confusion among nymphs and gods. The opera is a fascinating masterpiece of a tragédie en musique by the French baroque composer. The Symphonies edition brin...

'Dardanus' is Rameau's third 'Tragédie lyrique' composed for Paris after 'Hippolyte et Aricie' and 'Castor et Pollux'. With its multi-facetted music it represents quite a high point of this genre. Its...

Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the "Opera omnia Rameau"...

> Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites > Based on the first scholarly-critical edit...

The new critical edition of the score has finally shed light on the complex history of its transmission: at its first performance on August 23, 1735, Rameau's "ballet héroïque" Les Indes galantes stil...

Lange als zweitrangig eingestuft, weil seine Uraufführung mit einem politischen Ereignis zusammenhing, steckt 'Les Fêtes de l'Hymen et de l'Amour' voller dramaturgischer Neuheiten, die eine Ahnung auf...

Long classified as secondary because its premiere was connected to a political event, "Les Fêtes de l'Hymen et de l'Amour" is full of dramaturgical innovations that foreshadow Rameau's later operas su...

Tragédie en cinq actes - Soli, Chor, Orchester - Partitur; Gesamtausgabe

Gesamtausgabe, Partitur (Leinen), Urtextausgabe

Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the series 'Opera omnia R...

'Pigmalion' was the first example of a one-act ballet, preceded by an overture, composed specifically for the Académie royale de musique. With this work, Rameau turned to the form of the petit opéra....

Pygmalion is the earliest one-act ballet, introduced by an overture, that was created for the Académie royale de musique. With this piece, Rameau turned to the form of the "petit opéra". From its firs...

“Les Boréades", edited by Sylvie Bouissou, the project leader of the Rameau Complete Edition and a central figure in international Rameau research, is a milestone – at last this exceptional work is ac...

The ballet “Les Fêtes d'Hébé” deals with the talents that are usually the subject of the Opéra and are placed at the service of love on stage: poetry and declamation (1st entrée, "La Poésie"), song an...

The ballet “Les Fêtes d'Hébé” deals with the talents that are usually the subject of the Opéra and are placed at the service of love on stage: poetry and declamation (1st entrée, "La Poésie"), song an...