Jean-Philippe Rameau Sheet Music for Orchestra

This edition brings together all the purely instrumental and danced movements of one of Rameau's most popular operas as well as those of the last and incomplete one-act opéra-ballet "Io", during the c...

Rameau's Hippolyte et Aricie presents great confusion among nymphs and gods. The opera is a fascinating masterpiece of a tragédie en musique by the French baroque composer. The Symphonies edition brin...

Although not performed during his lifetime, Rameau’s “Les Boréades” from 1762 are his musical masterpiece and a synthesis of his compositional work. All the musical innovations to which the composer s...

'Dardanus' is Rameau's third 'Tragédie lyrique' composed for Paris after 'Hippolyte et Aricie' and 'Castor et Pollux'. With its multi-facetted music it represents quite a high point of this genre. Its...

Rameau's only extant opera based on a libretto by Voltaire has come down to us in two versions (1745 and 1746), that of 1745 having long been regarded as lost. Volume IV.12 of the 'Opera omnia Rameau'...

Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the "Opera omnia Rameau"...

> Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites > Based on the first scholarly-critical edit...

The new scholarly-critical edition of the score of Rameau's 'ballet héroïque' Les Indes galantes finally clears up its convoluted source history. At the first performance, on 23 August 1735, it consis...

The new critical edition of the score has finally shed light on the complex history of its transmission: at its first performance on August 23, 1735, Rameau's "ballet héroïque" Les Indes galantes stil...

Lange als zweitrangig eingestuft, weil seine Uraufführung mit einem politischen Ereignis zusammenhing, steckt 'Les Fêtes de l'Hymen et de l'Amour' voller dramaturgischer Neuheiten, die eine Ahnung auf...

Long classified as secondary because its premiere was connected to a political event, "Les Fêtes de l'Hymen et de l'Amour" is full of dramaturgical innovations that foreshadow Rameau's later operas su...

Tragédie en cinq actes - Soli, Chor, Orchester - Partitur; Gesamtausgabe

Gesamtausgabe, Partitur (Leinen), Urtextausgabe

Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the series 'Opera omnia R...

'Pigmalion' was the first example of a one-act ballet, preceded by an overture, composed specifically for the Académie royale de musique. With this work, Rameau turned to the form of the petit opéra....

Pygmalion is the earliest one-act ballet, introduced by an overture, that was created for the Académie royale de musique. With this piece, Rameau turned to the form of the "petit opéra". From its firs...

“Les Boréades", edited by Sylvie Bouissou, the project leader of the Rameau Complete Edition and a central figure in international Rameau research, is a milestone – at last this exceptional work is ac...

The ballet “Les Fêtes d'Hébé” deals with the talents that are usually the subject of the Opéra and are placed at the service of love on stage: poetry and declamation (1st entrée, "La Poésie"), song an...

The ballet “Les Fêtes d'Hébé” deals with the talents that are usually the subject of the Opéra and are placed at the service of love on stage: poetry and declamation (1st entrée, "La Poésie"), song an...

Les Fêtes d'Hébé or "Les Talents Lyriques" (1739) belong to the highly opulent ballet opera genre, which was only common in 18th century courtly France. Rameau's "Indes Galantes" (1735) is often consi...

Les Fêtes d'Hébé or "Les Talents Lyriques" (1739) belong to the highly opulent genre of ballet opera, which was only common in 18th century courtly France. Rameau's "Indes Galantes" (1735) is often re...