Musik zu Passion & Ostern Noten

Faure's Requiem, op. 48, is his only large-scale sacred composition and certainly his most important essay in the genre. Already popular with audiences during his lifetime, its success continues to th...

Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...

Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...

„Der geistlichen Musik die Kraft zuzuwenden, bleibt ja wohl das höchste Ziel des Künstlers“, schreibt Robert Schumann im Januar 1851 - und das, obwohl er bis dato kaum als Komponist geistlicher Musik...

The British composer Grayston (Bill) Ives (*1948) has dedicated himself to choral music in many different ways. He was a tenor with the legendary King's Singers and later worked for 18 years as an org...

The British composer Grayston (Bill) Ives (*1948) has dedicated himself to choral music in many different ways. He was a tenor with the legendary King's Singers and later worked for 18 years as an org...

The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...

Bach composed the cantata "Bleib bei uns, denn es will Abend werden" BWV 6 for Easter Monday in 1725. A choral cantata was actually planned for this holiday as well, but the choral cantata year breaks...

The starting point of the text is the Easter Gospel with the resurrection of Jesus, which is first celebrated extensively. This is followed by an appeal to the faithful: Every single Christian must ta...

The cantata "Ihr werdet weinen und heulen" BWV 103 for Sunday Jubilate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his second Le...

The cantata "Es ist euch gut, dass ich hingehe" BWV 108 for Sunday Cantate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his secon...

The cantata "Der Herr ist mein Hirte" dates from 1731 and was evidently intended as a supplement to the choral cantata cycle, which Bach left unfinished at Easter 1725. Bach adopted the five-stanza po...

Soli ATB, Coro SATB, 2 Ob, Tr, 2 Vl, Va, Bc Sprache: deutsch/englisch

The cantata "Gelobet sei der Herr, mein Gott" BWV 129 is one of the choral cantatas that Bach subsequently added to the choral cantata cycle that was discontinued at Easter 1725; it was not composed u...

The cantata "Ein Herz, das seinen Jesum lebend weiß" for the 3rd Easter in 1724 is one of the older cantatas that Bach integrated into his first Leipzig cantata cycle; it was originally composed in Kö...

Published in collaboration with the Bach Archive Leipzig with the unfinished revision (1739) in the appendix. The St. John Passion is one of the great vocal works of Bach's Leipzig period. In contrast...

Alongside the double-choir St. Matthew Passion, the Christmas Oratorio, the Magnificat and the Mass in B minor, the St. John Passion is one of the great vocal works of Johann Sebastian Bach's Leipzig...

Can be combined with the performance material of older editions (also with the NBA). Bach's St. John Passion is one of the greatest Passion settings in music history. It underwent several fundamental...

Bachs Johannespassion gehört zu den grossartigsten Passionsvertonungen der Musikgeschichte. Sie erlebte zu Bachs Lebzeiten mehrere grundlegende Umgestaltungen. Carus bietet alle erhaltenen Fassungen....

Dieterich Buxtehude composed his greatest oratorical work, the cantata cycle Membra Jesu nostri, for the Passiontide of 1680 and dedicated it to his friend and Swedish court conductor Gustav Düben. In...

Mendelssohn's unfinished 3rd oratorio in the first critical edition. Performance material is available separately for Part 1 and Part 2 of the oratorio. Part 1: "The Nativity", Part 2: "The Passion of...

The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...

Pietro Metastasio's libretto for La Passione di nostro Signore Gesù Cristo from 1730 is a prototype of the Italian-language Catholic oratorio of the 18th century. The text of the Bible is completely t...

Contemporary critics considered Rheinberger's Stabat Mater op. 16, composed in 1864, to be "one of the most beautiful works in this genre in recent times. Distinguished by its broad structure and nobl...

The English conductor and composer Howard Arman has presented a complete version of Mozart's Requiem. "Another version?" you might think, as there are now a whole series of other versions available al...