Carus-Verlag Sheet Music
Sakrileg oder Geniestreich? Der Komponist und Kapellmeister Gottlob Benedict Bierey (1772-1840) instrumentierte den 1. Satz der berühmten 'Mondscheinsonate' von Beethoven für Orchester (transponiert n...
Sakrileg oder Geniestreich? Der Komponist und Kapellmeister Gottlob Benedict Bierey (1772-1840) instrumentierte den 1. Satz der berühmten 'Mondscheinsonate' von Beethoven für Orchester (transponiert n...
- Mixed Choir (SATB) and Piano
- Organ Score
- Andreas Gräsle Leroy Carr
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What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...
What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...
- Soloists (SAATB), Mixed Choir (SATB), 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Basso continuo
- Choral Score
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Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...
Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...
- Soloists (SSATB), Mixed Choir (SSAATTBB) and Orchestra
- Choral Score
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Ein feste Burg ist unser Gott BWV 80 (CV31080-00) is one of Johann Sebastian Bach's most frequently-performed cantatas. But the well-known form of the work, with its great opening chorale chorus, repr...
Ein feste Burg ist unser Gott BWV 80 (CV31080-00) is one of Johann Sebastian Bach's most frequently-performed cantatas. But the well-known form of the work, with its great opening chorale chorus, repr...
- Soloists (SATB), Mixed Choir (SATB), Oboe, 2 Violins, Viola and Continuo
- Choral Score
- Klaus Hofmann
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Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...
Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...
- Soloists (SATB), Mixed Choir (SATB), 2 Horns, 2 Violins, 2 Trombones, Harp and Continuo
- Choral Score (Urtext)
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One of the most important mass compositions of the pre-classical period and also one of the earliest examples of the "Mannheim" symphonic church style. First edition of the work.
One of the most important mass compositions of the pre-classical period and also one of the earliest examples of the "Mannheim" symphonic church style. First edition of the work.
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction Download
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The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And r...
The composer Joseph Martin Kraus was born in the same year as Mozart, and like Salzburg's famous son, he was highly gifted and died too young. But in recent years he has received more attention. And r...
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- Piano Reduction
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In 1784, Haydn modernized his oratorio "Il ritorno di Tobia" for a revival at the Burgtheater in Vienna. He added the choruses "Ah, gran Dio" and "Svanisce in un momento", the second of which was rewo...
In 1784, Haydn modernized his oratorio "Il ritorno di Tobia" for a revival at the Burgtheater in Vienna. He added the choruses "Ah, gran Dio" and "Svanisce in un momento", the second of which was rewo...
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- Piano Reduction Download
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Johann Michael Haydn's masses are masterpieces of their genre and were extremely popular during his lifetime, as the large number of copies shows. This also applies to the Missa Sancti Dominici, which...
Johann Michael Haydn's masses are masterpieces of their genre and were extremely popular during his lifetime, as the large number of copies shows. This also applies to the Missa Sancti Dominici, which...
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Der Komponist Peter Schindler über diese Einzelausgabe aus „Perpetuum mobile“: „Ad cor tuum“ (No. 26 im Codex Buranus) ist ein Text, der Philipp dem Kanzler (geb. nach 1160, gestorben 1236, Kanzler vo...
Der Komponist Peter Schindler über diese Einzelausgabe aus „Perpetuum mobile“: „Ad cor tuum“ (No. 26 im Codex Buranus) ist ein Text, der Philipp dem Kanzler (geb. nach 1160, gestorben 1236, Kanzler vo...
- Voice (high), Soprano Saxophone, Piano, Double Bass and Percussion
- Piano Score
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Der Komponist Peter Schindler über diese Einzelausgabe aus „Perpetuum mobile“: „Ad cor tuum“ (No. 26 im Codex Buranus) ist ein Text, der Philipp dem Kanzler (geb. nach 1160, gestorben 1236, Kanzler vo...
Der Komponist Peter Schindler über diese Einzelausgabe aus „Perpetuum mobile“: „Ad cor tuum“ (No. 26 im Codex Buranus) ist ein Text, der Philipp dem Kanzler (geb. nach 1160, gestorben 1236, Kanzler vo...
- Voice (high), Soprano Saxophone, Piano, Double Bass and Percussion
- Piano Score Download
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Der Komponist Peter Schindler über diese Einzelausgabe aus „Perpetuum mobile“: Ein ruhig fließendes Duett von Mann und Frau. Beide sind erfahren und wissen, wie die Welt tickt. Sie besingen abgeklärt...
Der Komponist Peter Schindler über diese Einzelausgabe aus „Perpetuum mobile“: Ein ruhig fließendes Duett von Mann und Frau. Beide sind erfahren und wissen, wie die Welt tickt. Sie besingen abgeklärt...
- Soloists (SB), Soprano Saxophone, Piano, Double Bass and Percussion
- Piano Score
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Der Komponist Peter Schindler über diese Einzelausgabe aus „Perpetuum mobile“: Ein ruhig fließendes Duett von Mann und Frau. Beide sind erfahren und wissen, wie die Welt tickt. Sie besingen abgeklärt...
Der Komponist Peter Schindler über diese Einzelausgabe aus „Perpetuum mobile“: Ein ruhig fließendes Duett von Mann und Frau. Beide sind erfahren und wissen, wie die Welt tickt. Sie besingen abgeklärt...
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The original version of the Missa secunda was composed in 1964. It is dedicated by the composer to his "dear wife Margit on the occasion of our 25th wedding anniversary". The Sanctus was composed late...
The original version of the Missa secunda was composed in 1964. It is dedicated by the composer to his "dear wife Margit on the occasion of our 25th wedding anniversary". The Sanctus was composed late...
- String Quartet with Choir (Women's Choir (SSA), 2 Violins, Viola and Cello)
- Organ Reduction Download
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1866 komponierte Anton Bruckner seine feierliche e-Moll-Messe, die er in den Jahren 1876-1882 noch einmal einer umfangreichen Revision unterzog. Unter den Messen Bruckners und auch seiner Zeitgenossen...
1866 komponierte Anton Bruckner seine feierliche e-Moll-Messe, die er in den Jahren 1876-1882 noch einmal einer umfangreichen Revision unterzog. Unter den Messen Bruckners und auch seiner Zeitgenossen...
- Mixed Choir (SSAATTBB), 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horns, 2 Trumpets and 3 Trombones
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1866 komponierte Anton Bruckner seine feierliche e-Moll-Messe, die er in den Jahren 1876-1882 noch einmal einer umfangreichen Revision unterzog. Unter den Messen Bruckners und auch seiner Zeitgenossen...
1866 komponierte Anton Bruckner seine feierliche e-Moll-Messe, die er in den Jahren 1876-1882 noch einmal einer umfangreichen Revision unterzog. Unter den Messen Bruckners und auch seiner Zeitgenossen...
- Mixed Choir (SSAATTBB), 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horns, 2 Trumpets and 3 Trombones
- Piano Reduction
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1866 komponierte Anton Bruckner seine feierliche e-Moll-Messe, die er in den Jahren 1876-1882 noch einmal einer umfangreichen Revision unterzog. Unter den Messen Bruckners und auch seiner Zeitgenossen...
1866 komponierte Anton Bruckner seine feierliche e-Moll-Messe, die er in den Jahren 1876-1882 noch einmal einer umfangreichen Revision unterzog. Unter den Messen Bruckners und auch seiner Zeitgenossen...
- Mixed Choir (SSAATTBB), 2 Oboes, 2 Clarinets, 2 Bassoons, 4 Horns, 2 Trumpets and 3 Trombones
- Piano Reduction
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What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
- Soloists (SATB), Mixed Choir (SATB), 2 Trumpets, Timpani, 2 Violins, Viola, Cello, Double Bass and Organ
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What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
What does early Bruckner sound like? The Magnificat in B flat major casts a completely unexpected light on the young composer, on the threshold of composing his great church works. Around 5 minutes in...
- Soloists (SATB), Mixed Choir (SATB), 2 Trumpets, Timpani, 2 Violins, Viola, Cello, Double Bass and Organ
- Piano Reduction
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The cantata for the 20th Sunday after Trinity. 'Ah! I see now, as I to the wedding bidden', BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his...
The cantata for the 20th Sunday after Trinity. 'Ah! I see now, as I to the wedding bidden', BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his...
- Soloists (SATB), Mixed Choir (SATB), Horn, Recorder, 2 Violins, Viola and Continuo
- Score
- Masaaki Suzuki
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The cantata for the 20th Sunday after Trinity. 'Ah! I see now, as I to the wedding bidden', BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his...
The cantata for the 20th Sunday after Trinity. 'Ah! I see now, as I to the wedding bidden', BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his...
- Soloists (SATB), Mixed Choir (SATB), Horn, Recorder, 2 Violins, Viola and Continuo
- Piano Reduction
- Masaaki Suzuki
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Im Jahr 1729 übernahm Bach in Leipzig die Leitung des einst von Telemann gegründeten 'Collegium musicum' und konzertierte daraufhin mindestens einmal wöchentlich mit diesem Ensemble im Zimmermannschen...
Im Jahr 1729 übernahm Bach in Leipzig die Leitung des einst von Telemann gegründeten 'Collegium musicum' und konzertierte daraufhin mindestens einmal wöchentlich mit diesem Ensemble im Zimmermannschen...
- Soloists (STB), Flute, 2 Violins, Viola and Continuo
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Im Jahr 1729 übernahm Bach in Leipzig die Leitung des einst von Telemann gegründeten 'Collegium musicum' und konzertierte daraufhin mindestens einmal wöchentlich mit diesem Ensemble im Zimmermannschen...
Im Jahr 1729 übernahm Bach in Leipzig die Leitung des einst von Telemann gegründeten 'Collegium musicum' und konzertierte daraufhin mindestens einmal wöchentlich mit diesem Ensemble im Zimmermannschen...
- Soloists (STB), Flute, 2 Violins, Viola and Continuo
- Score Download
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Im Jahr 1729 übernahm Bach in Leipzig die Leitung des einst von Telemann gegründeten 'Collegium musicum' und konzertierte daraufhin mindestens einmal wöchentlich mit diesem Ensemble im Zimmermannschen...
Im Jahr 1729 übernahm Bach in Leipzig die Leitung des einst von Telemann gegründeten 'Collegium musicum' und konzertierte daraufhin mindestens einmal wöchentlich mit diesem Ensemble im Zimmermannschen...
- Soloists (STB), Flute, 2 Violins, Viola and Continuo
- Piano Reduction
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In 1729, Bach took over the direction of the "Collegium musicum" in Leipzig, which had once been founded by Telemann, and subsequently gave concerts with this ensemble at least once a week in Zimmerma...
In 1729, Bach took over the direction of the "Collegium musicum" in Leipzig, which had once been founded by Telemann, and subsequently gave concerts with this ensemble at least once a week in Zimmerma...
- Soloists (STB), Flute, 2 Violins, Viola and Continuo
- Piano Reduction Download
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