Carus Piano Reductions: The Professional Choice for Vocal Scores

In Eisenstadt in 1770/71, Haydn composed his four-movement Salve Regina, which is characterized by the concertante use of the organ. Haydn proves to be a master in the musical realization of the Maria...

Joseph Haydn set the Ambrosian Canticle to music twice in the course of his life. The "Te Deum" for Empress Marie Therese was composed around 1800 and thus falls into his late creative phase. The larg...

The 30 or so mass settings by Johann Michael Haydn are masterpieces of their genre and were extremely popular during his lifetime. In his sacred music, the composer achieved a synthesis of counterpoin...

Due to its instrumentation alone, the Missa Sancti Hieronymi occupies a special position both among Haydn's mass settings and in the church music repertoire of the Salzburg royal court. The extraordin...

The names given to Michael Haydn's masses are related to the specific commission or the dedicatee of the composition. For example, Haydn composed the "Missa in honorem Sti. Gotthardi", also known as t...

Among Haydn's more than thirty settings of the Latin Ordinary text, his Missa in honorem Sanctae Ursulae, completed on August 5, 1793 according to the autograph, occupies a prominent position. It can...

The "Requiem in B flat" is Johann Michael Haydn's second setting of the liturgical text of the requiem mass and also his last work, his "Opus ultimum" (another Requiem MH 599 turned out to be the work...

The work, previously attributed to Joseph Haydn, is edited here for the first time under the name of his brother Johann Michael and according to the most reliable source from 1765 from the Benedictine...

George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...

First critical edition. The oratorio "Judas Maccabaeus" is one of George Frideric Handel's most popular vocal works. It was performed over fifty times during his lifetime and was one of the first of h...

Handel's vesper psalm Nisi Dominus (Psalm 127), which is presented here in a new critical edition, was composed in Rome in 1707 for the feast of the Madonna del Monte Carmel. It is very much in the tr...

Contains Part I of the oratorio Israel in Egypt is also one of Handel's most popular oratorios due to the predominant proportion of choruses and has had a firm place in the concert repertoire of many...

Great occasions call for great music! The "Dettinger Te Deum" is a splendid example of how Handel was able to set the tone for festive occasions in an unrivaled way. Handel expresses the sublime chara...

The genesis of the oratorio is an adventurous one: the nucleus of the three-part work were numbers from the middle section, "Flight into Egypt", which Berlioz composed on a whim in 1850 and subordinat...

Schubert probably composed the Latin "Stabat Mater" D175 without a direct commission between the 4th and 6th of April 1815. According to Pope Benedict XIII's instructions of 1727, it is intended as a...

In contrast to the earlier smaller sacred works, whose style is partly borrowed from the Baroque and Classical periods, Schubert has forged his personal, Romantic-influenced sacred style in this opus....

With a performance duration of around 10 minutes, Schubert's Magnificat D 486 in C major is one of the more concentrated settings of the well-known Marian canticum text, which originally belonged to t...

Johann Michael Haydn's masses are masterpieces of their genre and were extremely popular during his lifetime, as the large number of copies shows. This also applies to the Missa Sancti Dominici, which...

The Gabrielsmesse, which was very popular in Michael Haydn's time, exists in two versions: the first and original version contains a very short Gloria and Credo. In the second version, the two mass mo...

Set for SATB choir and with additional wind parts by Joseph von Eybler, addition of trombones by Ignaz Xaver Ritter von Seyfried, revised by Otto Nicolai (1843) Pergolesi's last major composition, the...

First version in c! / Bach reworked the cantata "Ich habe genung" several times for different instrumentations. There is a version in c for bass solo (BWV3 82.1) or mezzo-soprano solo (BWV3 82.3). The...

Bach composed the cantata Vergnügte Ruh, beliebte Seelenlust for alto solo for the 6th Sunday after Trinity in 1728. It comes from his third Leipzig cantata cycle, in which he sought new expressive po...

Telemann's unusually small Kyrie Gloria Mass is a work from his Leipzig period (1701-1705). In seven movements, the young composer knows how to draw a rich palette of forms and affects from the voice...

What does the early Bruckner sound like? The Magnificat in B flat major sheds an unexpected light on the young composer on the threshold of his great church works. The approximately 5-minute work in t...

The best-known requiem mass before Mozart's unfinished Requiem was written by the opera composer Niccolò Jommelli, who was celebrated in his day. The Missa pro defunctis was composed in 1756 during hi...