Classical Music (Baroque) Sheet Music for Mixed Choir (SATB), 2 Violins and Continuo

Thanks to its popular choral text, Bach's choral cantata "Lobe den Herren, den mächtigen König der Ehren" BWV 137 has long been one of the St. Thomas cantor's most frequently performed works. Unlike t...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

The soprano cantata "Falsche Welt, dir trau ich nicht" by Johann Sebastian Bach is intended for the 23rd Sunday after Trinity, which fell on November 24, 1726 in the year of its first performance. It...

Bach's cantata "Gott soll allein mein Herze haben" BWV 169 comes from the third Leipzig cantata cycle; it was first performed on October 20, 1726 on the 18th Sunday after Trinity. Recent research has...

The festive composition with its large orchestration for the time was performed for the first time on June 29, 1751 on the occasion of the consecration of the new Catholic Court Church in Dresden.

Date of composition of the wedding cantata on which this work is based (BWV 34a) 1726, the parody in the first half of the 1740s

The cantata "Erforsche mich Gott und erfahre mein Herz" BWV 136 was composed during Bach's first year in office as Thomaskantor in Leipzig and was premiered on the 8th Sunday after Trinity, July 18, 1...

'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...

'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...

Gott ist unsre Zuversicht BWV 197 was probably composed in the second half of the 1730s for an unknown wedding ceremony and features an impressive orchestra, especially in the opening chorus. The text...

The previous first-edition editions of Caldara's works by Butz Verlag have met with a great response and have aroused curiosity about the as yet unpublished treasures from the pen of this cosmopolitan...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

The Gloria in D major RV 589 is Vivaldi's most famous sacred work and it is among his most important church music compositions. The Carus edition, the publisher's inaugural music edition, helped consi...

Das Gloria in D RV 589 ist das bekannteste geistliche Werk Vivaldis und gehört zu seinen bedeutendsten kirchenmusikalischen Kompositionen. Es ist als selbstständiger Einzelsatz vermutlich zwischen 171...

The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...

None other than Johann Sebastian Bach arranged Giovanni Battista Pergolesi’s well-known Stabat mater for performances at Leipzig’s Thomaskirche. Bach replaced the old liturgical sequence of the origin...

In the period around 1700, numerous settings of the Magnificat were performed in the main Leipzig churches. Works by composers such as J. Kuhnau and G. P. Telemann survive; however, the best-known exa...

Bach's well-known church cantata "Schwingt freudig euch empor" BWV 36, which was first heard in its final version on 1 Advent 1731 in Leipzig's Nikolaikirche, goes back to a secular birthday cantata f...

The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

The text of the choral cantata, first performed on December 26, 1724, is based on Luther's translation of the early Christian hymn A solis ortus cardinem. The six-movement work contains two arias for...