Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...
Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...
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Turning one's energy to sacred music remains the artist's highest goal, wrote Robert Schumann in January 1851 - even though he had hardly appeared as a composer of sacred music up to that point. In fa...
Turning one's energy to sacred music remains the artist's highest goal, wrote Robert Schumann in January 1851 - even though he had hardly appeared as a composer of sacred music up to that point. In fa...
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- Urs Stäuble
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The British composer Grayston (Bill) Ives (*1948) has dedicated himself to choral music in many different ways. He was a tenor with the legendary King's Singers and later worked for 18 years as an org...
The British composer Grayston (Bill) Ives (*1948) has dedicated himself to choral music in many different ways. He was a tenor with the legendary King's Singers and later worked for 18 years as an org...
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As Kapellmeister at Dresden’s royal theater, Carl Maria von Weber’s primary task was to establish a German opera. However, it was also part of his duties to take care of church music every three weeks...
As Kapellmeister at Dresden’s royal theater, Carl Maria von Weber’s primary task was to establish a German opera. However, it was also part of his duties to take care of church music every three weeks...
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As Kapellmeister of the royal court theater in Dresden, Carl Maria von Weber's primary task was to establish a German opera at court. However, it was also part of his duties to provide the "church ser...
As Kapellmeister of the royal court theater in Dresden, Carl Maria von Weber's primary task was to establish a German opera at court. However, it was also part of his duties to provide the "church ser...
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Even during Ludwig van Beethoven's lifetime, the composer was so revered that contemporaries arranged his music – mostly the well-known instrumental works – for choir. In some cases, he may even have...
Even during Ludwig van Beethoven's lifetime, the composer was so revered that contemporaries arranged his music – mostly the well-known instrumental works – for choir. In some cases, he may even have...
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- Gottlob Benedict Bierey
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Bach's cantata BWV 69a from 1723, which has remained largely unknown to this day, is available for the first time in a practical edition with this Carus edition. Unjustly, though not by chance, the wo...
Bach's cantata BWV 69a from 1723, which has remained largely unknown to this day, is available for the first time in a practical edition with this Carus edition. Unjustly, though not by chance, the wo...
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The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
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The cantata "Ich liebe den Höchsten von ganzem Gemüte" BWV 174 was composed for Whit Monday in 1729. It probably belongs to Bach's fourth cantata cycle, the so-called "Picander cycle". The introductor...
The cantata "Ich liebe den Höchsten von ganzem Gemüte" BWV 174 was composed for Whit Monday in 1729. It probably belongs to Bach's fourth cantata cycle, the so-called "Picander cycle". The introductor...
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The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
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The Wedding Cantata BWV 195 was performed by Bach from around 1730 onwards at various wedding celebrations in varying forms and was apparently also lent out for performances abroad. The only surviving...
The Wedding Cantata BWV 195 was performed by Bach from around 1730 onwards at various wedding celebrations in varying forms and was apparently also lent out for performances abroad. The only surviving...
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Bach's Mass in B minor is one of his largest and most ambitious works. It occupied the composer for over two decades: from the Sanctus (1724) to the "Missa" of 1733 and the supplementary Ordinary move...
Bach's Mass in B minor is one of his largest and most ambitious works. It occupied the composer for over two decades: from the Sanctus (1724) to the "Missa" of 1733 and the supplementary Ordinary move...
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Practice-oriented Urtext edition based on the current state of Bach research With compact critical report Interpretation aids for articulation by marking analogous passages in the score Each era hear...
Practice-oriented Urtext edition based on the current state of Bach research With compact critical report Interpretation aids for articulation by marking analogous passages in the score Each era hear...
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Practice-oriented Urtext edition based on the current state of Bach research With compact critical report Interpretation aids for articulation by marking analogous passages in the score Each era hear...
Practice-oriented Urtext edition based on the current state of Bach research With compact critical report Interpretation aids for articulation by marking analogous passages in the score Each era hear...
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Bach's Christmas Oratorio has been published as a scholarly edition for practical use as part of the Stuttgart Bach Editions. The edition is based on Bach's autograph score and the original parts. The...
Bach's Christmas Oratorio has been published as a scholarly edition for practical use as part of the Stuttgart Bach Editions. The edition is based on Bach's autograph score and the original parts. The...
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Jauchzet, frohlocket! – Johann Sebastian Bach's Christmas Oratorio BWV 248 (BWV3 248.2) is undoubtedly one of the most radiant and beloved masterpieces of Baroque sacred music. With this complete voca...
Jauchzet, frohlocket! – Johann Sebastian Bach's Christmas Oratorio BWV 248 (BWV3 248.2) is undoubtedly one of the most radiant and beloved masterpieces of Baroque sacred music. With this complete voca...
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Bach's Christmas Oratorio has been published as a scholarly edition for practical use as part of the Stuttgart Bach Editions. The edition is based on Bach's autograph score and the original parts. The...
Bach's Christmas Oratorio has been published as a scholarly edition for practical use as part of the Stuttgart Bach Editions. The edition is based on Bach's autograph score and the original parts. The...
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Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...
Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...
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Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...
Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...
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Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...
Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...
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Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...
Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...
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Mendelssohn composed his first oratorio "Paulus" under the influence of the revival of J. S. Bach's "St. Matthew Passion" (1829), which he himself conducted. He integrated choral movements into "Paulu...
Mendelssohn composed his first oratorio "Paulus" under the influence of the revival of J. S. Bach's "St. Matthew Passion" (1829), which he himself conducted. He integrated choral movements into "Paulu...
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Just one year before his death, Felix Mendelssohn Bartholdy achieved a success with his oratorio "Elijah", which has made him one of the most popular oratorio composers to this day. With gripping dram...
Just one year before his death, Felix Mendelssohn Bartholdy achieved a success with his oratorio "Elijah", which has made him one of the most popular oratorio composers to this day. With gripping dram...
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Franz Schubert's "Mass in A flat": a work that occupied the composer time and again, with which - in his words - he strove for the "highest in art" - and perhaps only wanted to achieve a position at t...
Franz Schubert's "Mass in A flat": a work that occupied the composer time and again, with which - in his words - he strove for the "highest in art" - and perhaps only wanted to achieve a position at t...
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The first of Beethoven's two Mass settings is decidedly modern and forward-looking in its subjective, confessional tonal language. It opens up completely new worlds of expression for the liturgical te...
The first of Beethoven's two Mass settings is decidedly modern and forward-looking in its subjective, confessional tonal language. It opens up completely new worlds of expression for the liturgical te...
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