Chor Gesang Neuheiten Noten

for SATB and organ This setting of Psalm 139 by Chilcott is warm and mesmerizing. The chant-like texture and shifting tonalities impart the sensation of being entranced in prayer. The words offer resp...

for SATB and four-piece ensemble (flute, oboe, harp, organ). John Rutter's much-loved setting of the Aaronic Blessing (Numbers 6: 24). Compatible with SATB and SAB versions.

for SATB and three-piece ensemble (oboe, harp, organ). Three-piece chamber ensemble accompaniment to Rutter's arrangement of Psalm 23. Pack includes full score and set of parts.

for SATB (with divisions) and piano. Setting a text by Elizabeth Craven, this anthem is a gentle and meditative expression of gratitude to God for the joys and challenges of life. With a flowing melod...

This deeply profound work combines a short form of the Latin Mass with Biblical passages that speak of peace. It features a prayerful Kyrie, energetic Gloria, contemplative Sanctus and Benedictus, and...

This anthem by Mack Wilberg is lyrical, sweeping, and full of rich harmonies. With a text by David Warner that includes the repeated phrase 'we thank thee, Lord', this piece is a gentle but stirring p...

For SSAATTBB and optional organ

This flowing and melismatic Latin setting offers every voice part something satisfying to sing. After a brief opening solo and presentation of the main theme, a minor-key section creates striking cont...

The cantata "Wie schön leuchtet der Morgenstern" (BWV 1) was composed on March 25, 1725, when the Feast of the Annunciation coincided with Palm Sunday. It forms the conclusion of Bach's choral cantata...

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe

Kantate zum Sonntag Sexagesimae (Leipziger Fassung). Gemischter Chor-SATB - Chorpartitur

The cantata "Ich hatte viel Bekümmernis" was composed around 1713 and was probably performed by the composer for the first time in the same year at the Liebfrauenkirche in Halle. It was probably not a...

Johann Sebastian Bach's cantata "Der Himmel lacht! Die Erde jubilieret" BWV 31 was composed in Weimar for the Sunday of April 21, 1715. The text by Salomon Franck is closely linked to the Easter Gospe...

Bach's cantata for the 1st Sunday after Trinity, first performed in 1726, is one of the Thomas cantor's most musically appealing compositions. The opulent opening chorus programmatically illustrates t...

Cantata 56, also known as the "Kreuzstab Cantata", was composed in 1726 for the 21st Sunday after Trinity and is scored relatively lightly for oboes, English horn, strings and continuo. As its text al...

The cantata Jesu, der du meine Seele belongs to the famous series of choral cantatas that Bach composed in his second year in Leipzig. It was probably performed for the first time in one of Leipzig's...

No original sources have survived for Bach's great Reformation cantata "Ein feste Burg ist unser Gott". It is possible that the original version of the cantata was composed in Weimar in 1715, which Ba...

As neither original sources nor documents relating to the first performance of the present funeral cantata Gottes Zeit ist die allerbeste Zeit BWV 106 have survived, we cannot prove the year of compos...

Bach's cantata, "Herr Gott, dich loben alle wir", composed on September 29, 1724, belongs to the group of choral cantatas which, like perhaps the respective preacher, interpret the ideas of the readin...

The origins of the cantata Lobe den Herrn meine Seele BWV 143 are largely unknown. For a long time, a copy from the 19th century was considered the only source. This was also the basis for the musical...

The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...

The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...

George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...

George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...