Urtext Edition

Version for violoncello and piano. After the Urtext of the New Schubert Edition. Violoncello, Piano - full score; single part

This edition of Mozart's Sonata for Bassoon and Violoncello K. 292 (196c) breaks new ground: on the one hand, it strictly follows the Urtext of the New Mozart Edition in the rendering of the obbligato...

Beethoven is regarded as the true inventor of the cello sonata as an independent genre in which cello and piano act as equal partners, writes Barry Cooper in his introduction to the Bärenreiter editio...

Robert Schumann's Concerto for Violoncello and Orchestra is the first major Romantic work in this genre that was not composed by a cellist. Nevertheless, Schumann, who worked on this late composition...

Ludwig van Beethoven repeatedly explored the genre of the cello sonata between 1796 and 1817. From the early works dedicated to King Frederick William II of Prussia to the two late sonatas in C major...

Edward Elgar's concerto for violoncello, his last major work, is a cleanly structured and emotionally charged composition. It is no wonder that this work is of central importance in the cello literatu...

> Urtext edition containing all of Mendelssohn's works for violoncello and piano (2 volumes: BA 9096/BA 9097) > Also includes reconstructions or completions of Mendelssohn's unfinished works for violo...

Felix Mendelssohn Bartholdy's works for cello and piano occupy an important place in the cello and chamber music repertoire. The lyrical "Lied ohne Worte" ("Romance sans paroles") is one of the most p...

Felix Mendelssohn Bartholdy's works for cello and piano occupy an important place in the cello and chamber music repertoire. The lyrical "Lied ohne Worte" ("Romance sans paroles") is one of the most p...

Debussy's "Sonata for Violoncello and Piano" was composed in the summer of 1915; it was the first of a planned series of six sonatas for various instruments, of which Debussy ultimately completed only...

Brahms completed his Cello Sonata op. 99 in the summer of 1886, and the first public performance took place in Vienna on November 26 of the same year. Robert Hausmann played the cello part while Brahm...

Sergei Rachmaninoff's chamber music for cello and piano comprises three works, all of which originate from his early creative period and whose creation is closely linked to people around him at the ti...

The piano reduction of Mozart's Bassoon Concerto is based on the Urtext edition as part of the New Mozart Edition. The bassoon part remains unchanged and is identical to the print in the New Mozart Ed...

Fagott, Klavier - Klavierauszug; Urtextausgabe

Violin/ Flute, Basso continuo - full score; set of parts; Urtext edition

Urtext of the Telemann edition. Violin/ flute, basso continuo - playing score; set of parts; Urtext edition

Urtext of the Telemann edition. Flute/ violin, basso continuo - playing score; set of parts; Urtext edition

Urtext of the Telemann edition. Flute/ V.Bc - playing score; Urtext edition; set of parts

While his contemporaries still regarded him as one of the greatest musicians of all time, Telemann's star faded in the course of the 19th century in the oversized shadow of Bach and Handel to the poin...

Handel's flute sonatas have been favourites among ?autists for 270 years. Our earlier urtext edition, published in 1955, was largely based on Chrysander's 1858 print. This new edition draws on all ava...

Urtext der Neuen Bach-Ausgabe Flöte (2), Basso continuo - Spielpartitur; Stimmensatz; Urtextausgabe

Variations on Trockene Blumen from the song cycle Die schöne Müllerin with notes on the interpretation by Andràs Adorjàn. Urtext of the New Schubert Edition. Flute, piano - score; single part; Urtext...

Franz Schubert wrote his Sonata in A minor for arpeggione and piano in 1824 at the suggestion of the Viennese musician Vinzenz Schuster. This volume is based on the Urtext of the New Schubert Edition;...

The sonatas for flute and basso continuo by George Frideric Handel have been among the favorite literature of flutists for 270 years now. The edition published by Bärenreiter in 1955 could essentially...

It was not until 1990 - more than 250 years after the publication of the Pastor fido - that the masterful forgery was discovered: It was not Antonio Vivaldi, but the French composer Nicolas Chédeville...