Sheet Music Downloads by Armin Kircher

aus: Harmonia caelestis

The original version of the Missa Sancti Nicolai Tolentini (1768), edited for the first time, is Johann Michael Haydn's first major church music work composed in Salzburg. The Nicolai Mass corresponds...

Johann Michael Haydn's masses are masterpieces of their genre and were extremely popular during his lifetime. Carus presents these important works collected as Urtext editions. Johann Michael Haydn le...

Mozart and Haydn greatly appreciated the church music of their friend and Viennese court conductor Joseph Eybler. The Missa Sancti Alberti with its lyrical, pastoral tone stands in contrast to his mas...

Eberlin's programmatic setting of the offertory "Terra tremuit" was composed for the festive liturgy of Easter Sunday at Salzburg Cathedral, which was a center of polyphonic offertory settings in the...

A valuable addition to the requiem repertoire: Biber's Requiem in F minor is one of the most impressive settings of the requiem mass of the 17th century. The specific occasion for the composition of t...

In Eisenstadt in 1770/71, Haydn composed his four-movement Salve Regina, which is characterized by the concertante use of the organ. Haydn proves to be a master in the musical realization of the Maria...

Joseph Haydn set the Ambrosian Canticle to music twice in the course of his life. The "Te Deum" for Empress Marie Therese was composed around 1800 and thus falls into his late creative phase. The larg...

The 30 or so mass settings by Johann Michael Haydn are masterpieces of their genre and were extremely popular during his lifetime. In his sacred music, the composer achieved a synthesis of counterpoin...

Due to its instrumentation alone, the Missa Sancti Hieronymi occupies a special position both among Haydn's mass settings and in the church music repertoire of the Salzburg royal court. The extraordin...

The names given to Michael Haydn's masses are related to the specific commission or the dedicatee of the composition. For example, Haydn composed the "Missa in honorem Sti. Gotthardi", also known as t...

Among Haydn's more than thirty settings of the Latin Ordinary text, his Missa in honorem Sanctae Ursulae, completed on August 5, 1793 according to the autograph, occupies a prominent position. It can...

The "Requiem in B flat" is Johann Michael Haydn's second setting of the liturgical text of the requiem mass and also his last work, his "Opus ultimum" (another Requiem MH 599 turned out to be the work...

With the Missa Sancti Amandi, composed in 1776, Haydn created a festive mass "in pieno", i.e. scored for choir and orchestra without vocal soloists. Although very densely scored, this work is characte...

The "Requiem in B flat" is Johann Michael Haydn's second setting of the liturgical text of the requiem mass and also his last work, his "Opus ultimum" (another Requiem MH 599 turned out to be the work...

Sonntagsorgel is a stylistically wide-ranging collection for part-time church musicians and organists in three volumes. It is suitable for use in church services and for teaching purposes. The first v...

Sonntagsorgel is a three-volume, stylistically wide-ranging collection for part-time organists. It is suitable for use in church services as well as for teaching purposes. The first volume contains fe...

Sonntagsorgel is a three-volume, stylistically wide-ranging collection for part-time organists. It is suitable for use in church services as well as for teaching purposes. The first volume contains fe...

In 1784, Haydn modernized his oratorio "Il ritorno di Tobia" for a revival at the Burgtheater in Vienna. He added the choruses "Ah, gran Dio" and "Svanisce in un momento", the second of which was rewo...

früher Joseph Ignaz Schnabel zugeschrieben

Tochter Zion, freue dich ist ein im deutschsprachigen Raum als Adventslied bekanntes Werk. Es basiert auf von Friedrich Heinrich Ranke (1798-1876) umgetexteten Chorsätzen aus Georg Friedrich Händels O...

Since the days of the Renaissance composers, there has been - beyond accusations of plagiarism - the veneration of a great composer colleague in the form of quotations or even new versions of his work...