O Fortuna
from: Perpetuum mobile - Songs from the Codex Buranus
immediately available
Download immediately after ordering
Peter Schindler
O Fortuna
from: Perpetuum mobile - Songs from the Codex Buranus
Demo listen PDF view

Peter Schindler
O Fortuna

from: Perpetuum mobile - Songs from the Codex Buranus

  • Instrumentation Mixed Choir (SATB), Soprano Saxophone, Piano, Double Bass and Percussion
  • Optional Instrumentation Mixed Choir (SATB), Instrument in C, Piano, Double Bass, Percussion, 2 Violins, Viola, Cello and Double Bass
  • Composer Peter Schindler
  • Difficulty Level
    (medium)
  • Edition Piano Score Download
  • Publisher Carus-Verlag
  • Order no. CV09298-30-DL
immediately available
Download immediately after ordering
  • Volume scale:
  • from 30 pcs 3,06 €
  • from 50 pcs 2,72 €
  • from 100 pcs 2,55 €
Minimum Order Quantity: 20 piece
  • Credit Card
  • Rechnung Invoice
  • PayPal
  • Sepa

Not available in all countries. Learn more

Description:

  • Language: Latin
  • Pages: 8
  • Release: 04.11.2024
  • Term: 2:30
  • Genre: Classical Music, Classical Music of the Modern Age
  • ISMN: 9790007339494
The composer Peter Schindler on this single edition from "Perpetuum mobile":

"O Fortuna" (text no. 17 in the Codex Buranus) is a rhythmic strophic song. The text has been world-famous since Carl Orff placed it at the beginning of the setting of his work "Carmina Burana". In 1935, it was still assumed that the manuscript began with this text and the miniature of the wheel of fortune. This error was later corrected, as the original order of the manuscript's 112 parchment pages had become confused over the centuries.

The famous miniature, which shows the wheel of fortune as a motif, is decorated with a rhymed hexameter: "regnabo, regno, regnavi, sum sine regno" (I will reign, I am in possession of reign, I lose my reign, I am without reign). This concise illustration with Fortuna, the mistress of the world (Imperatrix mundi) at the center, originally stood in the middle of the group of moral-satirical poems.

In the poem, the revolving wheel of the goddess Fortuna is allegorically represented in the first stanza by the moon with its changing phases. Already in the second stanza, the poem presents itself as a personal lament. In the third stanza there is a call to join in the lament over the fallen unfortunates. This call is typical of laments. The setting of the text in an accentuated, fleeing allegro con bravura expresses the constant change, imitating the circling, bustle and different phases of world events.