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Carus Piano Reductions: The Professional Choice for Vocal Scores

Experience the exceptional quality of Carus-Verlag piano reductions, the essential tool for solo singers, rehearsal pianists, and choir directors. Renowned worldwide for their clarity and academic rigor, these vocal scores provide a faithful and playable transcription of the orchestral parts for the keyboard. Whether you are studying a Bach cantata, a Mozart mass, or a Mendelssohn oratorio, Carus 'Klavierauszüge' offer a reliable foundation for every rehearsal and performance. Explore our extensive selection and equip your choir or studio with the finest editions available on the market today. Your path to choral excellence starts here!
Johann Sebastian Bach
Cantata for the 18th Sunday after Trinitatis

Bach's cantata "Gott soll allein mein Herze haben" BWV 169 comes from the third Leipzig cantata cycle; it was first performed on October 20, 1726 on the 18th Sunday after Trinity. Recent research has...

Bach's cantata "Gott soll allein mein Herze haben" BWV 169 comes from the third Leipzig cantata cycle; it was first performed on October 20, 1726 on the 18th Sunday after Trinity. Recent research has...

  • Low Voice, Mixed Choir (SATB), 2 Oboes d'Amore, English Horn, 2 Violins, Viola, Organ and Continuo
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  • Henry S. Drinker Robert Scandrett
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Johann Sebastian Bach
Cantata for the 7th Sunday after Trinity

The cantata "Ärgre dich, o Seele, nicht" BWV 186 is to a certain extent the sister work of the much better-known cantata "Herz und Mund und Tat und Leben" BWV 147. Both were composed in Advent 1716 as...

The cantata "Ärgre dich, o Seele, nicht" BWV 186 is to a certain extent the sister work of the much better-known cantata "Herz und Mund und Tat und Leben" BWV 147. Both were composed in Advent 1716 as...

  • Soloists (SATB), Mixed Choir (SATB), 2 Oboes, English Horn, Bassoon, 2 Violins, Viola and Continuo
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Order no.: CV31186-53-DL
Johann Sebastian Bach
Cantata for the 7th Sunday after Trinity

The two-part cantata from Bach's 3rd cantata cycle was first performed on August 4, 1726 (the 7th Sunday after Trinity). The large-scale, fully scored opening chorus to a text from Psalm 104 shows Bac...

The two-part cantata from Bach's 3rd cantata cycle was first performed on August 4, 1726 (the 7th Sunday after Trinity). The large-scale, fully scored opening chorus to a text from Psalm 104 shows Bac...

  • Soloists (SAB), Mixed Choir (SATB), 2 Oboes, 2 Violins, Viola and Continuo
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Johann Sebastian Bach
Cantata for the 21st Sunday after Trinity. Reconstruction Pieter Dirksen

The cantata "Ich habe meine Zuversicht" BWV 188 belongs to the so-called "Picander year" and was intended for the 21st Sunday after Trinity in 1728 or 1729. The cantata has a particular problem with i...

The cantata "Ich habe meine Zuversicht" BWV 188 belongs to the so-called "Picander year" and was intended for the 21st Sunday after Trinity in 1728 or 1729. The cantata has a particular problem with i...

  • Soloists (SATB), Mixed Choir (SATB), 2 Oboes, English Horn, 2 Violins, Viola, Cello, Organ and Continuo
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Johann Sebastian Bach
Church cantata - Reconstruction

The text of the cantata "Nun danket alle Gott" BWV 192 is based solely on the well-known hymn. It is therefore one of the few choral cantatas that do not contain any other free poetic texts. According...

The text of the cantata "Nun danket alle Gott" BWV 192 is based solely on the well-known hymn. It is therefore one of the few choral cantatas that do not contain any other free poetic texts. According...

  • Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
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  • Detlev Schulten Christine Blanken
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Order no.: CV31192-03-DL
Johann Sebastian Bach
Cantata for the Feast of Trinity

The cantata "Höchsterwünschtes Freudenfest" BWV 194 was composed on the occasion of the organ dedication in Störmthal on November 2, 1723. One year later and with only minor changes, the cantata was p...

The cantata "Höchsterwünschtes Freudenfest" BWV 194 was composed on the occasion of the organ dedication in Störmthal on November 2, 1723. One year later and with only minor changes, the cantata was p...

  • Soloists (STB), Mixed Choir (SATB), 3 Oboes, bassoon, 2 Violins, Viola, Basso continuo
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Johann Sebastian Bach
Cantata for the wedding ceremony

Gott ist unsre Zuversicht BWV 197 was probably composed in the second half of the 1730s for an unknown wedding ceremony and features an impressive orchestra, especially in the opening chorus. The text...

Gott ist unsre Zuversicht BWV 197 was probably composed in the second half of the 1730s for an unknown wedding ceremony and features an impressive orchestra, especially in the opening chorus. The text...

  • Soloists (SAB), Mixed Choir (SATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
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Order no.: CV31197-53-DL

Johann Sebastian Bach's "Magnificat" BWV 243 was composed in its first form in E flat at the very beginning of Bach's Leipzig tenure, possibly for the Visitation of Mary on July 2, 1723. A performance...

Johann Sebastian Bach's "Magnificat" BWV 243 was composed in its first form in E flat at the very beginning of Bach's Leipzig tenure, possibly for the Visitation of Mary on July 2, 1723. A performance...

  • Solo (SSATB), Mixed Choir (SSATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Basso Continuo
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Order no.: CV31243-04-DL
Antonio Vivaldi

Psalm 147 "Lauda Jerusalem" has an important place in the church year, including in vespers on Marian feasts. Antonio Vivaldi's only setting of this vesper psalm has some special features: The work is...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, including in vespers on Marian feasts. Antonio Vivaldi's only setting of this vesper psalm has some special features: The work is...

  • Soloists (SS), 2 Mixed Choirs (SATB), 4 Violins, 2 Violas and 2 Basso continuo
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Order no.: CV40024-03-DL

The Missa Sancti Josephi occupies a key position among Jan Dismas Zelenka's 20 or so large masses. In this mass, which was probably composed in 1732 for a saint's feast (therefore without a Credo), th...

The Missa Sancti Josephi occupies a key position among Jan Dismas Zelenka's 20 or so large masses. In this mass, which was probably composed in 1732 for a saint's feast (therefore without a Credo), th...

  • Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
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Order no.: CV27082-03-DL

Bruckner's great "Mass in F minor" is one of the composer's - and 19th century choral music's - most important works. In a unique way, the composer succeeds here in musically penetrating the contents...

Bruckner's great "Mass in F minor" is one of the composer's - and 19th century choral music's - most important works. In a unique way, the composer succeeds here in musically penetrating the contents...

  • Solists (SATB), Mixed Choir (SSAATTBB) and Orchestra
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Order no.: CV27094-03-DL

Luminous rays emanated from the 'Messe de sainte Cécile'. At first one was dazzled, then enchanted, then overwhelmed. This is how the composer Camille Saint-Saëns describes the impression that Charles...

Luminous rays emanated from the 'Messe de sainte Cécile'. At first one was dazzled, then enchanted, then overwhelmed. This is how the composer Camille Saint-Saëns describes the impression that Charles...

  • Soloists (STB), Mixed Choir (SATB) and Orchestra
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Antonín Dvořák

In 1892, Dvorák received the honorable commission from New York to write a festive cantata for the 400th anniversary of the discovery of America by Christopher Columbus. In response, Dvorák composed a...

In 1892, Dvorák received the honorable commission from New York to write a festive cantata for the 400th anniversary of the discovery of America by Christopher Columbus. In response, Dvorák composed a...

  • Soloists (SB), Mixed Choir (SATB) and Orchestra
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Order no.: CV27189-03-DL
Camille Saint-Saëns
for soli (SATB), choir (SATB), and orchestra (reduced orchestra ad lib.)

During his most productive period as an opera composer, Camille Saint-Saëns also wrote sacred works, of which the "Oratorio de Noël" (Christmas Oratorio) is particularly popular worldwide. The colorfu...

During his most productive period as an opera composer, Camille Saint-Saëns also wrote sacred works, of which the "Oratorio de Noël" (Christmas Oratorio) is particularly popular worldwide. The colorfu...

  • 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
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Carl Maria von Weber
Jubilee Mass

As Kapellmeister of the royal court theater in Dresden, Carl Maria von Weber's primary task was to establish a German opera at court. However, it was also part of his duties to provide the "church ser...

As Kapellmeister of the royal court theater in Dresden, Carl Maria von Weber's primary task was to establish a German opera at court. However, it was also part of his duties to provide the "church ser...

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Order no.: CV27902-03-DL
Johann Sebastian Bach
Cantata for the 12th Sunday after Trinity Sunday

Bach's cantata BWV 69a from 1723, which has remained largely unknown to this day, is available for the first time in a practical edition with this Carus edition. Unjustly, though not by chance, the wo...

Bach's cantata BWV 69a from 1723, which has remained largely unknown to this day, is available for the first time in a practical edition with this Carus edition. Unjustly, though not by chance, the wo...

  • 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
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Order no.: CV31069-53-DL
Johann Sebastian Bach
Cantata for the 2nd day of Pentecost

The cantata "Ich liebe den Höchsten von ganzem Gemüte" BWV 174 was composed for Whit Monday in 1729. It probably belongs to Bach's fourth cantata cycle, the so-called "Picander cycle". The introductor...

The cantata "Ich liebe den Höchsten von ganzem Gemüte" BWV 174 was composed for Whit Monday in 1729. It probably belongs to Bach's fourth cantata cycle, the so-called "Picander cycle". The introductor...

  • Soloists (ATB), Mixed Choir (SATB) and Orchestra
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Order no.: CV31174-03-DL
Johann Sebastian Bach
Cantata for the wedding ceremony

The Wedding Cantata BWV 195 was performed by Bach from around 1730 onwards at various wedding celebrations in varying forms and was apparently also lent out for performances abroad. The only surviving...

The Wedding Cantata BWV 195 was performed by Bach from around 1730 onwards at various wedding celebrations in varying forms and was apparently also lent out for performances abroad. The only surviving...

  • 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
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Order no.: CV31195-03-DL
Johann Sebastian Bach
vocal score, German

Practice-oriented Urtext edition based on the current state of Bach research With compact critical report Interpretation aids for articulation by marking analogous passages in the score Each era hear...

Practice-oriented Urtext edition based on the current state of Bach research With compact critical report Interpretation aids for articulation by marking analogous passages in the score Each era hear...

  • Soloists, 2 Mixed Choirs (SATB) and Orchestra
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Johann Sebastian Bach
vocal score, german/english

Practice-oriented Urtext edition based on the current state of Bach research With compact critical report Interpretation aids for articulation by marking analogous passages in the score Each era hear...

Practice-oriented Urtext edition based on the current state of Bach research With compact critical report Interpretation aids for articulation by marking analogous passages in the score Each era hear...

  • Soloists, 2 Mixed Choirs (SATB) and Orchestra
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Felix Mendelssohn Bartholdy
Oratorio

Mendelssohn composed his first oratorio "Paulus" under the influence of the revival of J. S. Bach's "St. Matthew Passion" (1829), which he himself conducted. He integrated choral movements into "Paulu...

Mendelssohn composed his first oratorio "Paulus" under the influence of the revival of J. S. Bach's "St. Matthew Passion" (1829), which he himself conducted. He integrated choral movements into "Paulu...

  • Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
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Felix Mendelssohn Bartholdy
An oratorio based on words from the Old Testament

Just one year before his death, Felix Mendelssohn Bartholdy achieved a success with his oratorio "Elijah", which has made him one of the most popular oratorio composers to this day. With gripping dram...

Just one year before his death, Felix Mendelssohn Bartholdy achieved a success with his oratorio "Elijah", which has made him one of the most popular oratorio composers to this day. With gripping dram...

  • Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
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Felix Mendelssohn Bartholdy
An oratorio based on words from the Old Testament

Just one year before his death, Felix Mendelssohn Bartholdy achieved a success with his oratorio "Elijah", which has made him one of the most popular oratorio composers to this day. With gripping dram...

Just one year before his death, Felix Mendelssohn Bartholdy achieved a success with his oratorio "Elijah", which has made him one of the most popular oratorio composers to this day. With gripping dram...

  • Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
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Maurice Ravel

With his composition "L'Aurore" (Dawn) in 1905, Maurice Ravel started his fifth and last attempt to win the coveted "Prix de Rome" of the Académie des Beaux-Arts in Paris. His renewed elimination in t...

With his composition "L'Aurore" (Dawn) in 1905, Maurice Ravel started his fifth and last attempt to win the coveted "Prix de Rome" of the Académie des Beaux-Arts in Paris. His renewed elimination in t...

  • High Voice, Mixed Choir (SATB) and Orchestra
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Order no.: CV10407-03-DL

Johann Sebastian Bach's librettist Salomon Franck called the congratulatory music for the court of Saxe-Weissenfels, which is generally known today as the "Hunting Cantata" BWV 208, "Frohlockender Göt...

Johann Sebastian Bach's librettist Salomon Franck called the congratulatory music for the court of Saxe-Weissenfels, which is generally known today as the "Hunting Cantata" BWV 208, "Frohlockender Göt...

  • Soloists (SSTB), Mixed Choir (SSTB) and Orchestra
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Carus Piano Reductions: Excellence for Choral Study

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Carus-Verlag is the leading authority in choral and sacred music publishing. Their piano reductions of works by composers such as Haydn, Brahms, and Schubert are prized for their balance between orchestral detail and keyboard ergonomics. These Urtext editions are vital for professional preparation, ensuring that performers are working with a text that is as close to the composer’s intentions as possible. The high-quality engraving and durable binding make these scores a lifelong companion for professional musicians, university libraries, and prestigious choral societies globally.

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